| 14 March 2018 | D. H. Lawrence and Post-Natal Depression
| Martin, K |
| 19 October 2010 | Darwin and Reductionisms: Victorian, Neo-Darwinian and Postgenomic Biologies
| Richardson, Angelique |
| 21 December 2019 | Decadence on the Silent Screen: Stannard, Coward, Hitchcock, and Wilde
| Hext, K |
| 31 January 2018 | Decolonizing American: Native Americans in Thomas Pynchon's Mason & Dixon
| Freer, JE |
| 30 December 2020 | Depressing time: waiting, melancholia,
and the psychoanalytic practice of care
| Salisbury, L; Baraitser, L |
| 31 August 2018 | Diasporic and Transnational Writing 1950-present
| McWilliams, EM |
| 13 February 2020 | Dickensian stuffing
| Carver, B |
| 24 October 2018 | Dickens’s Global Circulation
| Gagnier, RA |
| 2013 | Digital humanities and crowdsourcing: an exploration
| Carletti, L; Giannachi, G; Price, D; et al. |
| 31 January 2021 | Digital Opportunities for Feminist Film Historiography: Insights from the Reframing Vivien Leigh Project
| Smithstead, L |
| 14 August 2020 | Digital Theatre Transformation: A Case Study and Digital Toolkit
| Aebischer, P; Nicholas, R |
| 30 October 2020 | Digital theatre transformation: a case study and digital toolkit: final report, October 2020
| Aebischer, P; Nicholas, R |
| 16 April 2020 | Diplomatic Letters as Political Literature: Copying Sir Henry Unton’s Letters
| Williamson, E |
| 9 December 2020 | Dismembered Frames: Dialectic Intermedia in Peter Greenaway’s The Pillow Book
| Morrison, B |
| 26 March 2019 | Documenting digital art: the role of the audience
| Giannachi, G |
| 1 August 2013 | Documenting Performance: Playing and Replaying Archives of Art and Heritage.
| Giannachi, G |
| 1 October 2015 | Documenting the user experience
| Giannachi, G |
| 20 June 2013 | Documenting the user experience: the cases of Blast Theory's Rider Spoke, Tate's Art Maps, RAMM's Moor Stories and Exeter Time Trails (Keynote address)
| Giannachi, G |
| 6 July 2016 | Draining the Irish Channel: Identity, Sustainability, and the Politics of Water
| Groom, N |
