Now showing items 1-20 of 63

    Issue DateTitleAuthor(s)
    1 May 2017The Absurdity of Denial: Staging the 'American Way of Death'  Curtin, A
    22 June 2014'And the pain just disappeared into insignificance': The healing response in Lourdes - performance, psychology and caring.  Goldingay, Sarah; Dieppe, P; Farias, M
    11 October 2017Answer the Question ‘How does nature nurture your training?’  Morgan, I; O'Malley, E; Clarke, C; et al.
    2002Apocalipse 1,11 in São Paulo: Aesthetic Vertigo or Exploitation?  Stanton, William
    2000Aristotle's Poetics, Bharatamuni's Natyasastra, and Zeami's Treatises: Theory as Discourse  Ley, Graham
    8 April 2017The Arts Britain still Ignores?  Daboo, J
    6 November 2017Aspirational circus glamour: rethinking the circus grotesque through female aerialists of the interwar period  Holmes, Kate
    7 May 2014Authenticity and Representation: Council Estate Plays at the Royal Court  Bell, C; Beswick, K
    1 August 2006Bending gender and acting theory: Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing  Roesner, David
    2019Between preservation and renewal: reconsidering technology in contemporary Pansori training  Thomaidis, K
    1 January 2014Bola Agbaje’s Off the Endz. Authentic Voices, Representing the Council Estate: Politics, Authorship and the Ethics of Representation  Beswick, K
    1 February 2004British Radio Dramaturgy and the Effects of the New Conservatism  Stanton, William
    1 January 2016Can it be you that I hear?  Macpherson, B; Thomaidis, K
    1 November 2012Contra mortem, petimus scientiam: pain, tragedy, death and medicine in BLOK/EKO  Goldingay, Sarah
    26 August 2011The council estate: representation, space and the potential for performance  Beswick, K
    31 January 2019Drawing Adrift: Bengaluru, Mumbai, St Ives  Turner, C
    2019Editorial: What is New in Voice Training?  Thomaidis, K
    1 February 2008Embodying, imagining, and performing displacement and trauma in central Europe today  Zarrilli, Phillip B.
    1 May 2011‘“For Without Vanity I’m Better Known”: Restoration Actors and Metatheatre on the London Stage.’  Milling, Jane
    2019Home is where the heart is: building, belonging and emotional engagement in anti-austerity performance  Hillman, RA