1 May 2017 | The Absurdity of Denial: Staging the 'American Way of Death'
| Curtin, A |
22 June 2014 | 'And the pain just disappeared into insignificance': The healing response in Lourdes - performance, psychology and caring.
| Goldingay, Sarah; Dieppe, P; Farias, M |
11 October 2017 | Answer the Question ‘How does nature nurture your training?’
| Morgan, I; O'Malley, E; Clarke, C; et al. |
27 November 2002 | Apocalipse 1,11 in São Paulo: Aesthetic Vertigo or Exploitation?
| Stanton, William |
1 September 2000 | Aristotle's Poetics, Bharatamuni's Natyasastra, and Zeami's Treatises: Theory as Discourse
| Ley, Graham |
8 April 2017 | The Arts Britain still Ignores?
| Daboo, J |
15 December 2016 | Aspetti metodologici in uno studio etnografico sul semah degli Aleviti
| De Rosa, S |
6 November 2017 | Aspirational circus glamour: rethinking the circus grotesque through female aerialists of the interwar period
| Holmes, Kate |
7 May 2014 | Authenticity and Representation: Council Estate Plays at the Royal Court
| Bell, C; Beswick, K |
1 August 2006 | Bending gender and acting theory: Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing
| Roesner, David |
12 December 2019 | Between preservation and renewal: reconsidering technology in contemporary Pansori training
| Thomaidis, K |
1 January 2014 | Bola Agbaje’s Off the Endz. Authentic Voices, Representing the Council Estate: Politics, Authorship and the Ethics of Representation
| Beswick, K |
1 February 2004 | British Radio Dramaturgy and the Effects of the New Conservatism
| Stanton, William |
1 January 2016 | Can it be you that I hear?
| Macpherson, B; Thomaidis, K |
1 March 2020 | Capitalist realism: Glimmers, working-class authenticity and Andrea Dunbar in the twenty-first century
| Beswick, K |
1 September 2022 | Celestial Bodies in a Viscous Sky: Liquid Sky’s Reshaping of Aerial Space Using Lasers
| Holmes, K |
1 November 2012 | Contra mortem, petimus scientiam: pain, tragedy, death and medicine in BLOK/EKO
| Goldingay, Sarah |
26 August 2011 | The council estate: representation, space and the potential for performance
| Beswick, K |
1 April 2020 | Dramaturging the I-voicer in A Voice Is. A Voice Has. A Voice Does.: Methodologies of autobiophony
| Thomaidis, K |
31 January 2019 | Drawing Adrift: Bengaluru, Mumbai, St Ives
| Turner, C |