23 October 2017 | Bristol Deaf Memories: archives, nostalgia and the loss of community space in the deaf community in Bristol
| O'Brien, D; Stead, L; Nourse, N |
21 October 2020 | Broadcasting a Sinister ‘Jacobean’ Aesthetic from the Sam Wanamaker Playhouse: Sightlines, Camerawork and Websterian Dramaturgy in Ian Russell’s The Duchess of Malfi (BBC Four, 2014)
| Aebischer, P |
2015 | Brutal games: Call of Duty and the cultural narrative of World War II
| Ramsay, Debra |
17 October 2011 | Bulimic Beckett: food for thought and the archive of analysis
| Salisbury, Laura |
2016 | By What Strange Channels: Nicholas Mosley's Literary Circuits
| Foley, A |
2016 | By What Strange Channels: Nicholas Mosley's Literary Circuits
| Foley, A |
31 October 2020 | ‘B’ for Blane and ‘B’ for budget: the productivity, and narrativity, of Warner Bros.’ Torchy Blane series (1937–1939)
| Hanson, H |
30 November 2023 | Cameras
| Carver, B |
12 January 2021 | Category choice in creative writing
| Nordberg, D |
4 December 2013 | The Challenge
| Feaver, J |
7 August 2015 | China in the 21st Century: on Borrowing, Translation, and Mixed Economies
| Lu, J; Gagnier, Regenia |
27 June 2018 | Christopher Logue, Alexander Pope, and the Making of War Music
| Power, H |
15 April 2020 | Cinematic Masculinity in the Age of Finance
| Steven, MA |
28 November 2018 | Claudia Rankine, Friedrich Nietzsche, and the Untimely Present
| Foley, A |
2011 | CloudPad - a cloud-based documentation and archiving tool for mixed reality artworks
| Giannachi, G; Lowood, H; Rowland, D; et al. |
22 December 2017 | Communist laughter, from Lenin to Lubitsch
| Steven, M |
1 June 2018 | Community and apostrophe in E. L. Doctorow
| Steven, MA |
29 March 2022 | Constructed Masculinities: Unpicking Working-Class Masculinities through Knitting
| Fountain, D |
1 September 2004 | Convex and concave: conceptual boundaries in psychology, now and then (but mainly then).
| Rylance, Rick |
12 June 2008 | The cooking animal: Economic Man at the Great Exhibition.
| Young, Paul K. F. |