19 October 2010 | Darwin and Reductionisms: Victorian, Neo-Darwinian and Postgenomic Biologies
| Richardson, Angelique |
1 May 2017 | The decadence of the West in Huysmans and Houellebecq: Decadence in the Longue Durée
| Gagnier, RA |
21 December 2019 | Decadence on the Silent Screen: Stannard, Coward, Hitchcock, and Wilde
| Hext, K |
31 January 2018 | Decolonizing American: Native Americans in Thomas Pynchon's Mason & Dixon
| Freer, JE |
30 December 2020 | Depressing time: waiting, melancholia,
and the psychoanalytic practice of care
| Salisbury, L; Baraitser, L |
31 August 2018 | Diasporic and Transnational Writing 1950-present
| McWilliams, EM |
13 February 2020 | Dickensian stuffing
| Carver, B |
24 October 2018 | Dickens’s Global Circulation
| Gagnier, RA |
2013 | Digital humanities and crowdsourcing: an exploration
| Carletti, L; Giannachi, G; Price, D; et al. |
31 January 2021 | Digital Opportunities for Feminist Film Historiography: Insights from the Reframing Vivien Leigh Project
| Smithstead, L |
14 August 2020 | Digital Theatre Transformation: A Case Study and Digital Toolkit
| Aebischer, P; Nicholas, R |
30 October 2020 | Digital theatre transformation: a case study and digital toolkit: final report, October 2020
| Aebischer, P; Nicholas, R |
1 July 2016 | 'Ding Dong Dell'
| Feaver, J |
16 April 2020 | Diplomatic Letters as Political Literature: Copying Sir Henry Unton’s Letters
| Williamson, E |
1 June 2016 | 'Disco Feeling-Kin'
| Feaver, J |
9 December 2020 | Dismembered Frames: Dialectic Intermedia in Peter Greenaway’s The Pillow Book
| Morrison, B |
1 September 1999 | “The disturbances overseas”: a comparative report on the future of English Studies
| Gagnier, Regenia |
10 December 2017 | “A Divine Kind of Rhetoric”: Rhetorical Strategy and Spirit-Wrought Sincerity in English Puritan Writing
| Parry, D |
2010 | The documentation and archiving of mixed media experiences: the case of Rider Spoke
| Giannachi, G; Rowland, D; Benford, S; et al. |
26 March 2019 | Documenting digital art: the role of the audience
| Giannachi, G |