30 September 2016 | The Auteur Affect: "Forces of Encounter" between Shakespeare and Kurosawa in The Bad Sleep Well
| Gee, FC |
11 March 2022 | Badger: a short story
| Feaver, J |
23 November 2014 | 'Beautiful White Girlhood'? Daisy Buchanan in Nella Larsen's 'Passing'
| Moynihan, Sinéad |
29 June 2019 | Beckett's Disabled Language
| Salisbury, LA |
28 February 2020 | Becoming-Witch: Narrating witchcraft in early modern English news pamphlets
| Gibson, MH |
1 August 2018 | 'Behindhand with their countrymen': Literary culture and economic decline in eighteenth-century Exeter
| Crawford, JMU |
1 May 2018 | Ben Hecht's Hard-Boiled Decadence: The Flaneur as Reporter
| Hext, K |
27 April 2020 | ‘Between-time stories’: waiting, war and the temporalities of care
| Salisbury, L |
30 December 2020 | Black, White and Blue: Pregnancy and Unsettled Binaries in The Masque of Blackness (1605)
| Aebischer, P; Sparey, V |
1 May 2018 | 'Bliss was it in that shirt to be alive': Connecting Romanticism and New Romanticism through dress
| Bernhard Jackson, EA |
25 February 2016 | A Body of Work: An Anthology of Poetry and Medicine
| Wagner, C; Brown, A |
22 November 2017 | Bombay dreams and Bombay nightmares: Spatiality and Bollywood gangster film's urban underworld aesthetic
| Stadtler, FCJ |
1 October 2015 | Breaches in a Battered Wall: Invasion, Spectatorship, and the Early Modern Stage
| Preedy, CK |
23 October 2017 | Bristol Deaf Memories: archives, nostalgia and the loss of community space in the deaf community in Bristol
| O'Brien, D; Stead, L; Nourse, N |
21 October 2020 | Broadcasting a Sinister ‘Jacobean’ Aesthetic from the Sam Wanamaker Playhouse: Sightlines, Camerawork and Websterian Dramaturgy in Ian Russell’s The Duchess of Malfi (BBC Four, 2014)
| Aebischer, P |
2015 | Brutal games: Call of Duty and the cultural narrative of World War II
| Ramsay, Debra |
17 October 2011 | Bulimic Beckett: food for thought and the archive of analysis
| Salisbury, Laura |
2016 | By What Strange Channels: Nicholas Mosley's Literary Circuits
| Foley, A |
2016 | By What Strange Channels: Nicholas Mosley's Literary Circuits
| Foley, A |
31 October 2020 | ‘B’ for Blane and ‘B’ for budget: the productivity, and narrativity, of Warner Bros.’ Torchy Blane series (1937–1939)
| Hanson, H |