1 December 2011 | Acts of Presence: performance, mediation and virtual reality
| Giannachi, G; Kaye, Nick |
27 January 2013 | Art Mapping in Paris
| Carletti, L; Price, D; Sinker, R; et al. |
20 February 2014 | Art-mapping smart-cities: accessing art collections outside the museum
| Locatelli, C; Giannachi, G; Sinker, R; et al. |
1 December 2014 | ArtMaps
| Giannachi, G; Sinker, R; Stack, J; et al. |
27 April 2015 | ArtMaps: A Technology for Looking at Tate's Collection
| Giannachi, G; Sinker, R; Stack, J; et al. |
1 April 2015 | ArtMaps: interpreting the spatial footprints of artworks
| Coughlan, T; Carletti, L; Giannachi, G; et al. |
2011 | CloudPad - a cloud-based documentation and archiving tool for mixed reality artworks
| Giannachi, G; Lowood, H; Rowland, D; et al. |
2013 | Digital humanities and crowdsourcing: an exploration
| Carletti, L; Giannachi, G; Price, D; et al. |
2010 | The documentation and archiving of mixed media experiences: the case of Rider Spoke
| Giannachi, G; Rowland, D; Benford, S; et al. |
26 March 2019 | Documenting digital art: the role of the audience
| Giannachi, G |
1 August 2013 | Documenting Performance: Playing and Replaying Archives of Art and Heritage.
| Giannachi, G |
1 October 2015 | Documenting the user experience
| Giannachi, G |
20 June 2013 | Documenting the user experience: the cases of Blast Theory's Rider Spoke, Tate's Art Maps, RAMM's Moor Stories and Exeter Time Trails (Keynote address)
| Giannachi, G |
5 December 2013 | Exeter Time Trails
| Giannachi, G; Barrett, W; Lawrence, R; et al. |
1 February 2006 | Exposing globalisation: Biopolitics in the work of critical art ensemble
| Giannachi, G |
4 April 2009 | From interaction to trajectories: designing coherent journeys through user experience
| Benford, S; Giannachi, G; Koleva, B; et al. |
11 June 2018 | How Tate Modern became the Musée de la Danse
| Giannachi, G; Tolmie, P; Finbow, A |
12 October 2020 | Imagining the future of a complex mixed media work: the case of Lynn Hershman Leeson’s The Floating Museum
| Giannachi, G |
2016 | Performance, the document, and the digital: the case of Lynn Hershman Leeson’s ‘Robertas’
| Giannachi, G |
2011 | Performing Nature's Footprint
| Giannachi, G; Jacobs, R; Benford, S |