| dc.date.accessioned | 2009-11-10T09:55:18Z | en_GB |
| dc.date.accessioned | 2013-02-01T12:16:22Z | |
| dc.date.created | 1992 | en_GB |
| dc.date.issued | 2009-11-10T09:55:18Z | en_GB |
| dc.identifier.other | BD023407 | en_GB |
| dc.identifier.uri | http://hdl.handle.net/10472/3471 | en_GB |
| dc.language.iso | en | en_GB |
| dc.relation | SPECTRUM | en_GB |
| dc.rights | The digital object(s) attached to this record are available
for you to use for educational purposes only under licence from the
University of Exeter. Use of the object(s) must be compliant with the
terms of the licence agreement, full details are available on the
"Original Licence" link below. | en_GB |
| dc.title | Sight and Sound October 1992 | en_GB |
| dc.date.available | 2009-11-10T09:55:18Z | en_GB |
| dc.date.available | 2013-02-01T12:16:22Z | |
| dc.description | October 1992 issue. Articles include: Marina Warner on versions of 'Beauty and the Beast'; a number of pieces, including an interview on Clint Eastwood's 'Unforgiven'; rap and black cinema; Jeanette Winterson on women's animation films; Jonathan Rosenbaum on Orson Welles and Othello; Geoffrey MacNab on Sean Connery and his star appeal and Raymond Durgnant and filmmakers such as Scorsese on the genius of Michael Powell. Reviews include Undforgiven, Beauty and the Beast, Bitter Moon and Amantes. | en_GB |
| dc.subject.other | criticism/history | en_GB |
| dc.subject.other | EVE | en_GB |
| dc.contributor.organisation | British Film Institute | en_GB |
| dc.type.class | periodical | en_GB |
| dc.contributor.person | Dodd, Philip | en_GB |
| dc.format.type | paper | en_GB |
