| dc.contributor.author | Hanson, H | |
| dc.date.accessioned | 2020-04-07T12:05:55Z | |
| dc.date.issued | 2021-08-30 | |
| dc.identifier.citation | In: Resetting the Scene - Classical Hollywood Revisited, edited by Philippa Gates and Katherine Spring. Chapter 17, pp. 211 - 221 | en_GB |
| dc.identifier.uri | http://hdl.handle.net/10871/120610 | |
| dc.language.iso | en | en_GB |
| dc.publisher | Wayne State University Press | en_GB |
| dc.relation.url | https://www.wsupress.wayne.edu/books/detail/resetting-scene | |
| dc.rights.embargoreason | Under indefinite embargo; no publisher permission for deposit received | en_GB |
| dc.rights | © 2021 Wayne State University Press | en_GB |
| dc.title | Genres of Production and the Production of Genre: Gender, Genre and Technical Labour in the Arthur Freed Unit | en_GB |
| dc.type | Book chapter | en_GB |
| dc.date.available | 2020-04-07T12:05:55Z | |
| dc.contributor.editor | Gates, P | en_GB |
| dc.contributor.editor | Spring, K | en_GB |
| dc.identifier.isbn | 9780814347805 | |
| exeter.place-of-publication | Detroit, Michigan | en_GB |
| dc.description | This is the author accepted manuscript. The final version is available from Wayne State University Press via the link in this record | en_GB |
| dc.description | NOTE: the title of the author accepted manuscript is different from the final published version of the chapter | |
| dc.rights.uri | http://www.rioxx.net/licenses/all-rights-reserved | en_GB |
| dcterms.dateAccepted | 2020-04-06 | |
| rioxxterms.version | AM | en_GB |
| rioxxterms.licenseref.startdate | 2021-08-30 | |
| rioxxterms.type | Book chapter | en_GB |
| refterms.dateFCD | 2020-04-07T08:25:23Z | |
| refterms.versionFCD | AM | |
