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dc.contributor.authorHanson, H
dc.date.accessioned2020-04-07T12:05:55Z
dc.date.issued2021
dc.identifier.citationIn: Classical Hollywood Cinema in the 21st Century, edited by Philippa Gates and Katherine Springen_GB
dc.identifier.urihttp://hdl.handle.net/10871/120610
dc.language.isoenen_GB
dc.publisherWayne State University Pressen_GB
dc.rights.embargoreasonUnder temporary indefinite embargo pending publication by Wayne State University Press. Apply to publisher for permission on publication (expected November/December 2021)en_GB
dc.rights© 2020 Wayne State University Pressen_GB
dc.titleGenres of Production and the Production of Genre: Gender, Genre and Technical Labour in the Production of the Classical Hollywood Musical in the Arthur Freed Uniten_GB
dc.typeBook chapteren_GB
dc.date.available2020-04-07T12:05:55Z
dc.contributor.editorGates, Pen_GB
dc.contributor.editorSpring, Ken_GB
dc.relation.isPartOfClassical Hollywood Cinema in the 21st Centuryen_GB
exeter.place-of-publicationDetroit, Michiganen_GB
dc.descriptionThis is the author accepted manuscript.en_GB
dc.rights.urihttp://www.rioxx.net/licenses/all-rights-reserveden_GB
dcterms.dateAccepted2020-04-06
rioxxterms.versionAMen_GB
rioxxterms.licenseref.startdate2021
rioxxterms.typeBook chapteren_GB
refterms.dateFCD2020-04-07T08:25:23Z
refterms.versionFCDAM


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