Adaptation and resilience in the performing arts. The pandemic and beyond
dc.contributor.author | Aebischer, P | |
dc.contributor.author | Nicholas, R | |
dc.date.accessioned | 2024-06-24T09:20:52Z | |
dc.date.issued | 2024-05-21 | |
dc.date.updated | 2024-06-18T09:46:45Z | |
dc.description.abstract | Adaptation and resilience in the performing arts shares important insights into the effects of the pandemic on live performance in the UK. It features eight projects funded by the Arts and Humanities Research Council between 2020 and 2022 to undertake research that would address the problems caused by the coronavirus (COVID-19) pandemic. The researchers share what they discovered from working with practitioners and companies in the live performing arts (especially theatre and dance) who rapidly adapted their working practices and the spaces in which they were able to connect safely with audiences, whether digital or outdoors. Several chapters provide evidence of the impacts of digital innovations and telepresence technologies on artists and audiences and shed light on how government discourses and the support structures within the industry affected the mental health of creative practitioners. Addressing policymakers and practitioners, others demonstrate how artists and local government events managers approached programming community-based work outdoors. Throughout, the essays are infused with practical energy, inspired by the creativity and dedication of the practitioners, and mindful of how the pandemic exacerbated the structural and financial precariousness of the workforce in live performing arts. They offer evidence-based reflections on values-led practices in the creative sector that model more inclusive, accessible and sustainable ways of working. Adaptation and resilience thus contributes to shaping our understanding of the challenges faced by live performing arts at a time of crisis – and how these may be overcome. | en_GB |
dc.description.sponsorship | Arts and Humanities Research Council (AHRC) | en_GB |
dc.format.extent | 0 pages | |
dc.identifier.doi | 10.7765/9781526172426 | |
dc.identifier.grantnumber | AH/W000881/1 | en_GB |
dc.identifier.uri | http://hdl.handle.net/10871/136398 | |
dc.identifier | ORCID: 0000-0002-0549-2273 (Aebischer, Pascale) | |
dc.language.iso | en | en_GB |
dc.publisher | Manchester University Press | en_GB |
dc.rights | © Manchester University Press 2024. While copyright in the volume as a whole is vested in Manchester University Press, copyright in individual chapters belongs to their respective authors, and no chapter may be reproduced wholly or in part without the express permission in writing of both author and publisher. An electronic version has been made freely available under a Creative Commons (CC BY) licence, which permits commercial use, distribution and reproduction provided the author(s) and Manchester University Press are fully cited. Details of the licence can be viewed at https://creativecommons.org/licenses/by/4.0/ | en_GB |
dc.subject | COVID-19 | en_GB |
dc.subject | performance | en_GB |
dc.subject | digital | en_GB |
dc.subject | creative industries | en_GB |
dc.subject | theatre | en_GB |
dc.subject | dance | en_GB |
dc.subject | freelancers | en_GB |
dc.subject | Culture Recovery Fund | en_GB |
dc.subject | accessibility | en_GB |
dc.subject | sustainability | en_GB |
dc.title | Adaptation and resilience in the performing arts. The pandemic and beyond | en_GB |
dc.type | Book | en_GB |
dc.date.available | 2024-06-24T09:20:52Z | |
dc.identifier.isbn | 9781526172426 | |
dc.description | This is the final version. Available on open access from Manchester University Press via the DOI in this record | en_GB |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | en_GB |
rioxxterms.version | VoR | en_GB |
rioxxterms.licenseref.startdate | 2024-05-21 | |
rioxxterms.type | Book | en_GB |
refterms.dateFCD | 2024-06-24T09:16:26Z | |
refterms.versionFCD | VoR | |
refterms.dateFOA | 2024-06-24T09:21:01Z |
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While copyright in the volume as a whole is vested in
Manchester University Press, copyright in individual chapters
belongs to their respective authors, and no chapter may be
reproduced wholly or in part without the express permission
in writing of both author and publisher.
An electronic version has been made freely available
under a Creative Commons (CC BY) licence, which
permits commercial use, distribution and reproduction
provided the author(s) and Manchester University Press
are fully cited. Details of the licence can be viewed at
https://creativecommons.org/licenses/by/4.0/