• Documenting digital art: the role of the audience 

  Giannachi, G (Maastricht Centre for Arts and Culture, Conservation and Heritage, 26 March 2019)

• Imagining the future of a complex mixed media work: the case of Lynn Hershman Leeson’s The Floating Museum 

  Giannachi, G (Stedelijk Museum Amsterdam, 2020)

• “American Homespun Fascists”: Sean O’Casey and the returning veteran at the American Negro Theatre 

  Moynihan, S (University of Toronto Press, 2020)

  This article explores four works produced by the American Negro Theatre for stage and radio between September 1945 and July 1946: Arthur Laurents’s “The Face” (1945), Samuel J. Kootz’s Home is the Hunter (1945-46), Erik ...

• The politics of hair: girls, secularism and (not) the veil in Mustang and Other recent French films 

  Handyside, F (Edinburgh University Press, 31 October 2019)

  This article explores art cinema's association of long, straight, shimmering hair with an idealized white, secular, agentic version of girlhood in Deniz Ergüven's Mustang (2015). With reference to girlhood studies and ...

• Genres of Production and the Production of Genre: Gender, Genre and Technical Labour in the Production of the Classical Hollywood Musical in the Arthur Freed Unit 

  Hanson, H (Wayne State University Press, 2021)

View more