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dc.date.accessioned2009-11-10T09:53:41Zen_GB
dc.date.accessioned2013-02-01T14:02:17Z
dc.date.created1998en_GB
dc.date.issued2009-11-10T09:53:41Zen_GB
dc.format.mediumgooden_GB
dc.identifier.otherBD035556en_GB
dc.identifier.urihttp://hdl.handle.net/10472/3311en_GB
dc.language.isoenen_GB
dc.relationSPECTRUMen_GB
dc.rightsThe digital object(s) attached to this record are available for you to use for educational purposes only under licence from the University of Exeter. Use of the object(s) must be compliant with the terms of the licence agreement, full details are available on the "Original Licence" link below.en_GB
dc.titleUnknown 1930s - The Alternative History of the British Cinema, 1929-1939.en_GB
dc.date.available2009-11-10T09:53:41Zen_GB
dc.date.available2013-02-01T14:02:17Z
dc.descriptionA reconsideration of the nature and emphases of British cinema and its audiences in the 1930s. Contributions from john Sedgwick, Linda Wood, James Chapman, Stephen Guy, Sue Harper, Jeffrey Richards, Brian McFarlane, Geoff Brown, Tony Aldgate. Subjects include: Alexander Korda, Julius Hagen, Twickenham Film Studios, Quotas, MGM, Hollywood, musicals, Conrad Veidt, Tod Slaughter, Robert Stevenson, Berthold Viertel, Bernard Vorhaus, melodrama.en_GB
dc.subject.othercriticism/historyen_GB
dc.subject.otherEVEen_GB
dc.contributor.organisationI.B.Taurisen_GB
dc.format.dimensionsh 239mm; w 160mm; d 26mmen_GB
dc.type.classbooken_GB
dc.contributor.personRichards, Jeffreyen_GB
dc.format.typepaper (2 types), clothen_GB


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