Unknown 1930s - The Alternative History of the British Cinema, 1929-1939.
dc.date.accessioned | 2009-11-10T09:53:41Z | en_GB |
dc.date.accessioned | 2013-02-01T14:02:17Z | |
dc.date.created | 1998 | en_GB |
dc.date.issued | 2009-11-10T09:53:41Z | en_GB |
dc.format.medium | good | en_GB |
dc.identifier.other | BD035556 | en_GB |
dc.identifier.uri | http://hdl.handle.net/10472/3311 | en_GB |
dc.language.iso | en | en_GB |
dc.relation | SPECTRUM | en_GB |
dc.rights | The digital object(s) attached to this record are available for you to use for educational purposes only under licence from the University of Exeter. Use of the object(s) must be compliant with the terms of the licence agreement, full details are available on the "Original Licence" link below. | en_GB |
dc.title | Unknown 1930s - The Alternative History of the British Cinema, 1929-1939. | en_GB |
dc.date.available | 2009-11-10T09:53:41Z | en_GB |
dc.date.available | 2013-02-01T14:02:17Z | |
dc.description | A reconsideration of the nature and emphases of British cinema and its audiences in the 1930s. Contributions from john Sedgwick, Linda Wood, James Chapman, Stephen Guy, Sue Harper, Jeffrey Richards, Brian McFarlane, Geoff Brown, Tony Aldgate. Subjects include: Alexander Korda, Julius Hagen, Twickenham Film Studios, Quotas, MGM, Hollywood, musicals, Conrad Veidt, Tod Slaughter, Robert Stevenson, Berthold Viertel, Bernard Vorhaus, melodrama. | en_GB |
dc.subject.other | criticism/history | en_GB |
dc.subject.other | EVE | en_GB |
dc.contributor.organisation | I.B.Tauris | en_GB |
dc.format.dimensions | h 239mm; w 160mm; d 26mm | en_GB |
dc.type.class | book | en_GB |
dc.contributor.person | Richards, Jeffrey | en_GB |
dc.format.type | paper (2 types), cloth | en_GB |