| dc.date.accessioned | 2009-11-10T09:53:49Z | en_GB |
| dc.date.accessioned | 2013-02-01T14:02:37Z | |
| dc.date.created | 1985 | en_GB |
| dc.date.issued | 2009-11-10T09:53:49Z | en_GB |
| dc.format.medium | fair, complete | en_GB |
| dc.identifier.other | BD026268 | en_GB |
| dc.identifier.uri | http://hdl.handle.net/10472/3327 | en_GB |
| dc.language.iso | en | en_GB |
| dc.relation | SPECTRUM | en_GB |
| dc.rights | The digital object(s) attached to this record are available
for you to use for educational purposes only under licence from the
University of Exeter. Use of the object(s) must be compliant with the
terms of the licence agreement, full details are available on the
"Original Licence" link below. | en_GB |
| dc.title | Sight and Sound Vol 54 No 2 Spring 1985 | en_GB |
| dc.date.available | 2009-11-10T09:53:49Z | en_GB |
| dc.date.available | 2013-02-01T14:02:37Z | |
| dc.description | Spring 1985 issue. Includes articles on; the work of the producer by Steven Kovacs; James Ivory on Vanessa Redgrave; interview with Douglas Trumbull; Richard Hoggart on 'We are the Lambeth Boys'; Philip French on Hitchcock's English identity; Heimat; and Robin Allan on Disney's 'Alice in Wonderland'.
Reviews include A Passage to India and Amadeus. | en_GB |
| dc.subject.other | criticism/history | en_GB |
| dc.subject.other | EVE | en_GB |
| dc.contributor.organisation | British Film Institute | en_GB |
| dc.format.dimensions | height 297mm, width 209mm | en_GB |
| dc.type.class | periodical | en_GB |
| dc.contributor.person | Houston, Penelope | en_GB |
| dc.format.type | paper | en_GB |
