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Signs and Meaning in the Cinema

dc.date.accessioned2009-11-10T09:55:11Zen_GB
dc.date.accessioned2013-02-01T12:20:04Z
dc.date.created1969en_GB
dc.date.issued2009-11-10T09:55:11Zen_GB
dc.format.mediumgooden_GB
dc.identifier.otherBD015896en_GB
dc.identifier.urihttp://hdl.handle.net/10472/3461en_GB
dc.language.isoenen_GB
dc.relationSPECTRUMen_GB
dc.rightsThe digital object(s) attached to this record are available for you to use for educational purposes only under licence from the University of Exeter. Use of the object(s) must be compliant with the terms of the licence agreement, full details are available on the "Original Licence" link below.en_GB
dc.titleSigns and Meaning in the Cinemaen_GB
dc.date.available2009-11-10T09:55:11Zen_GB
dc.date.available2013-02-01T12:20:04Z
dc.descriptionContents: Eisenstein's aesthetics; the auteur theory; the semiology of the cinemaen_GB
dc.subject.othercriticism/historyen_GB
dc.subject.otherEVEen_GB
dc.contributor.organisationThames and Hudsonen_GB
dc.contributor.organisationBritish Film Instituteen_GB
dc.format.dimensionslength 190mm; breadth 136mm; height 10mmen_GB
dc.type.classbooken_GB
dc.contributor.personWollenen_GB
dc.format.typepaperen_GB


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