| dc.date.accessioned | 2009-11-10T09:57:44Z | en_GB |
| dc.date.accessioned | 2013-02-01T11:51:19Z | |
| dc.date.created | 1975 | en_GB |
| dc.date.issued | 2009-11-10T09:57:44Z | en_GB |
| dc.identifier.other | BD028116 | en_GB |
| dc.identifier.uri | http://hdl.handle.net/10472/3690 | en_GB |
| dc.language.iso | en | en_GB |
| dc.relation | SPECTRUM | en_GB |
| dc.rights | The digital object(s) attached to this record are available
for you to use for educational purposes only under licence from the
University of Exeter. Use of the object(s) must be compliant with the
terms of the licence agreement, full details are available on the
"Original Licence" link below. | en_GB |
| dc.title | Sight and Sound Vol 44 No 3 Summer 1975 | en_GB |
| dc.date.available | 2009-11-10T09:57:44Z | en_GB |
| dc.date.available | 2013-02-01T11:51:19Z | |
| dc.description | Summer 1975 issue. Includes articles on Antonioni's 'The Passenger' by Richard Roud; Joseph Losey by Richard Combs; Michael Ritchie by Jmaes Monaco; Hecht and MacArthur by Geoff Brown; Film Schools by David Robinson; Von Strohein's 'Greed' by Charl;es Wolfe; John Huston shooting 'The Man Who Would Be King' in Morocco; Donald Richie's work on Ozu by Jonathan Rosenbaum; Bunuel's Spanish films of the 1930s and Kojak and other TV cops of the 1970s by Lorna Sage. Films reviewed include The Godfather Part II, Alice Doesn't Live Here Anymore and Tommy. | en_GB |
| dc.subject.other | criticism/history | en_GB |
| dc.subject.other | EVE | en_GB |
| dc.type.class | periodical | en_GB |
| dc.format.type | paper | en_GB |
