| dc.date.accessioned | 2009-11-10T10:04:46Z | en_GB |
| dc.date.accessioned | 2013-02-01T14:18:23Z | |
| dc.date.created | 1944 | en_GB |
| dc.date.issued | 2009-11-10T10:04:46Z | en_GB |
| dc.format.medium | poor; tape on spine and loose binding | en_GB |
| dc.identifier.other | BD035213 | en_GB |
| dc.identifier.uri | http://hdl.handle.net/10472/4176 | en_GB |
| dc.language.iso | en | en_GB |
| dc.relation | SPECTRUM | en_GB |
| dc.rights | The digital object(s) attached to this record are available
for you to use for educational purposes only under licence from the
University of Exeter. Use of the object(s) must be compliant with the
terms of the licence agreement, full details are available on the
"Original Licence" link below. | en_GB |
| dc.title | Film | en_GB |
| dc.date.available | 2009-11-10T10:04:46Z | en_GB |
| dc.date.available | 2013-02-01T14:18:23Z | |
| dc.description | Discusssion of: Why we go to the pictures and what we get for the money; Why films are like they are; Why they influence the way they live; Why and how they get themselves censored; Why the film can be called a new art form; Why the film can be called a new industrial racket; What they have done with film in Russia; Why America has cornered pictures; Why Britain is catching up in world cinema; Why Britain is the source of great documrntary; What film has achieved in the past forty years; Where do we and the film go from here? | en_GB |
| dc.subject.other | criticism/history | en_GB |
| dc.subject.other | EVE | en_GB |
| dc.contributor.organisation | Pelican Books | en_GB |
| dc.format.dimensions | length 180mm; breadth 110mm; height 10mm | en_GB |
| dc.type.class | book | en_GB |
| dc.contributor.person | Manvell | en_GB |
| dc.format.type | paper | en_GB |
