12 November 2010 | Alessandro Petti on The Book of Returns
| University of Exeter |
12 November 2010 | Deep in discussion
| University of Exeter |
12 November 2010 | End of Performance, Opera, Music Scholars
| University of Exeter |
12 November 2010 | In Conversation with Artists
| University of Exeter |
12 November 2010 | In front of Hanaa Malallah’s Vivid Ruins
| University of Exeter |
12 November 2010 | Marion Wood on Music, Performance and Memory
| University of Exeter |
12 November 2010 | Performance, Opera - Words
| University of Exeter |
12 November 2010 | Performance, Opera, Marion Wood, Music Scholars, Anna Korula librettist
| University of Exeter |
12 November 2010 | Performance, Opera, Marion Wood, Music Scholars, Anna Korula librettist
| University of Exeter |
12 November 2010 | Performance, Opera, Music Scholars
| University of Exeter |
12 November 2010 | Performance, Opera, Music Scholars
| University of Exeter |
12 November 2010 | Performance, Opera, Music Scholars, mixing desk
| University of Exeter |
12 November 2010 | Performance, Opera, workshop audience
| University of Exeter |
12 November 2010 | Rashad Salim on Catrin Webster’s A Drawing in Time, time frame - 2 hrs 10 min Aberystwyth 2009
| University of Exeter |
12 November 2010 | Viewing the Book of Returns
| University of Exeter |
12 November 2010 | Will Higbee on Diasporic Art
| Higbee, Will |
10 November 2010 | Workshop 2 Programme
| Isayev, Elena |