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dc.contributor.authorStuart, A
dc.contributor.authorKurz, T
dc.contributor.authorAshby, K
dc.date.accessioned2017-06-08T12:17:26Z
dc.date.issued2012-11-15
dc.description.abstractIn contemporary Western societies women are often thought to have overcome inequality, become autonomous and resistant to social pressures, and in so doing gained the freedoms to make their own choices. However, this ‘post-feminist sensibility’ can arguably be seen as a double-bind as some types of ‘choices’ cannot always be recognised as freely chosen if they are taken as an indication of failing to resist social (appearance) pressures. We argue that one such example is the ‘choice’ to have cosmetic breast surgery, a practice that has received both criticism and celebration from different feminist angles. In this paper we analyse how women who have had breast augmentation are constructed by readers of an internet blog in which they are largely vilified and pathologised for not valuing their ‘natural’ (yet ‘deficient’) breasts. We demonstrate how the same discursive constructions that appear to value women’s ‘natural’ bodies simultaneously (re)produce the conditions in which women may feel the need to have breast augmentation.en_GB
dc.identifier.citationVol. 27 (74), pp. 405 - 420en_GB
dc.identifier.doi10.1080/08164649.2012.727271
dc.identifier.urihttp://hdl.handle.net/10871/27870
dc.language.isoenen_GB
dc.publisherTaylor & Francis (Routledge)en_GB
dc.subjectchoiceen_GB
dc.subjectcosmetic surgeryen_GB
dc.subjectdiscourse analysisen_GB
dc.subjectgenderen_GB
dc.subjectagencyen_GB
dc.subjectpostfeministen_GB
dc.titleDamned if you do and damned if you don't: The (Re)production of larger breasts as ideal in criticisms of breast surgeryen_GB
dc.typeArticleen_GB
dc.date.available2017-06-08T12:17:26Z
dc.identifier.issn0816-4649
dc.descriptionThis is the author accepted manuscript. The final version is available from Taylor & Francis via the DOI in this record.en_GB
dc.identifier.journalAustralian Feminist Studiesen_GB


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