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| Gagnier, Regenia |
| 27 September 2017 | Global intimacy and cultural intoxication: Japanese and South Korean film in the twenty-first century
| Gee, FC |
| 14 August 2015 | Global Studies
| Gagnier, Regenia |
| 1 March 2014 | Gloria SMH and Beckett’s Linguistic Encryptions
| Salisbury, Laura |
| 27 January 2015 | Gothic Fiction and the Evolution of Media Technology
| Crawford, Joseph |
| 1 March 2019 | Hamlet’s ‘Spendthrift Sigh’: Emotional Breathing On and Off the Stage
| Tsentourou, PN |
| 29 August 2017 | ‘Home’ Front: Indian soldiers and civilians in Britain 1939-1945
| Stadtler, FCJ |
| 30 November 2018 | I know where I'm going
| Feaver, J |
| 4 December 2019 | If these walls could talk: Leonora Carrington’s psycho-spatial rooms
| Gee, FC |
| 1 December 2015 | Introduction: 'People Bleed Stories': Illness, Medicine, Poetry
| Wagner, C |
| 15 December 2010 | Introduction: arts and economics for the middle-class woman
| Zakreski, P; Hadjiafxendi, K |
| 2 October 2013 | Jackson’s Parrot: Samuel Beckett, Aphasic Speech Automatisms, and Psychosomatic Language
| Salisbury, Laura; Code, CFS |
| 22 September 2016 | James Joyce and the Lives of Edna O'Brien
| McWilliams, EM |
| 1 January 2018 | John Soane, Shakespeare and the Authority of Style
| Rudd, AJ |
| 12 November 2015 | The King James Bible and biblical images of desolation
| Edwards, KL |
| 1 June 2017 | Kissing the Medium: The Spiritualist-Witch as Countercultural Heroine in The Thirty-Nine Steps (1959)
| Gibson, Marion |
| 21 September 2023 | Life and Times of J. M. Coetzee
| Poyner, J |
| 30 April 2020 | ‘Like a Mason Addressing a Block’: Materiality and Design in Geoffrey Hill’s Poetry
| Pollard, N |
| 30 June 2019 | Love in the First Degree: Manfred, Byron, and Incest
| Bernhard Jackson, EA |
| 6 February 2020 | Ngũgĩ wa Thiong’o: Networks, Literary Activism and the Production of World Literature
| Wallis, K |
