English: Recent submissions
Now showing items 51-55 of 364
-
Digital Theatre Transformation: A Case Study and Digital Toolkit
(Creation Theatre, 14 August 2020)This report concentrates on Creation Theatre and Big Telly's transformation of their physical immersive promenade production of Shakespeare's Tempest in Oxford in 2019 into a fully digital production on Zoom at the start ... -
Hideous Hobgoblins: Monstrous Form in Darwin, Marx, and Joyce
(University of Tulsa, 17 February 2021) -
Imagining the future of a complex mixed media work: the case of Lynn Hershman Leeson’s The Floating Museum
(Stedelijk Museum Amsterdam, 12 October 2020) -
Documenting digital art: the role of the audience
(Maastricht Centre for Arts and Culture, Conservation and Heritage, 26 March 2019) -
“American Homespun Fascists”: Seán O’Casey and the Returning Veteran at the American Negro Theatre
(University of Toronto Press, 14 December 2020)This article explores four works produced by the American Negro Theatre for stage and radio between September 1945 and July 1946: Arthur Laurents’s “The Face” (1945), Samuel J. Kootz’s Home is the Hunter (1945-46), Erik ...