dc.contributor.author | Roesner, David | en_GB |
dc.contributor.department | University of Exeter | en_GB |
dc.date.accessioned | 2008-02-06T12:25:40Z | en_GB |
dc.date.accessioned | 2011-01-25T10:11:26Z | en_GB |
dc.date.accessioned | 2013-03-19T15:05:30Z | |
dc.date.issued | 2008-02-01 | en_GB |
dc.identifier.citation | 18:1, 44-55 | en_GB |
dc.identifier.doi | 10.1080/10486800701749587 | en_GB |
dc.identifier.uri | http://hdl.handle.net/10036/17595 | en_GB |
dc.language.iso | en | en_GB |
dc.publisher | Routledge | en_GB |
dc.relation.url | http://dx.doi.org/10.1080/10486800701749587 | en_GB |
dc.subject | Musicalization | en_GB |
dc.subject | Theatre - Germany - 20th Century | en_GB |
dc.subject | Theatre - Germany - 21st Century | en_GB |
dc.subject | Theatre music | en_GB |
dc.subject | Häusermann, Ruedi | en_GB |
dc.subject | Nübling, Sebastian | en_GB |
dc.subject | Goebbels, Heiner | en_GB |
dc.subject | Marthaler, Christoph | en_GB |
dc.subject | Schleef, Einar | en_GB |
dc.title | The politics of the polyphony of performance: Musicalization in contemporary German theatre | en_GB |
dc.type | Article | en_GB |
dc.date.available | 2008-02-06T12:25:40Z | en_GB |
dc.date.available | 2011-01-25T10:11:26Z | en_GB |
dc.date.available | 2013-03-19T15:05:30Z | |
dc.identifier.issn | 1048-6801 | en_GB |
dc.identifier.eissn | 1477-2264 | |
dc.identifier.journal | Contemporary Theatre Review | en_GB |