Battle for Music: Music and British Wartime Propaganda 1935-1945
Morris, John Vincent
Date: 25 May 2011
Thesis or dissertation
Publisher
University of Exeter
Degree Title
PhD in English
Abstract
The use of classical music as a tool of propaganda in Britain during the War can be seen to have been
an effective deployment both of the German masters and of a new spirit of England in the
furtherance of British values and its point of view. Several distinctions were made between various
forms of propaganda and institutions of ...
The use of classical music as a tool of propaganda in Britain during the War can be seen to have been
an effective deployment both of the German masters and of a new spirit of England in the
furtherance of British values and its point of view. Several distinctions were made between various
forms of propaganda and institutions of government played complementary roles during the War.
Propaganda took on various guises, including the need to boost morale on the Home Front in live
performances. At the outset of the War, orchestras were under threat, with the experience of the
London Philharmonic exemplifying the difficulties involved in maintaining a professional standard of
performance. The activities of bodies such as the Council for the Encouragement of Music and the
Arts played a role in encouraging music, as did the British Council’s Music Advisory Committee,
which co-operated with the BBC and the government, activities including the commissioning of new
music. The BBC’s policies towards music broadcasting were arrived at in reaction to public demand
rather than from an ideological basis and were developed through the increasing monitoring of
German broadcasts and a growing understanding of what was required for both home and overseas
transmission. Beethoven’s Fifth Symphony became an important part of the Victory campaign and
there was even an attempt at reviving the Handel Cult of the Nineteenth Century. German music
was also used in feature film but pre-eminent composers such as William Walton and Ralph Vaughan
Williams contributed to the War effort by writing film music too. The outstanding example is
Vaughan Williams’ music for Powell and Pressburger’s Ministry of Information sponsored 49th
Parallel, in which the relationship between music and politics is made in a reference to Thomas
Mann’s The Magic Mountain. Vaughan Williams’ non-film output included the greatest British
orchestral work to have come out of the War, his Fifth Symphony; a work that encapsulated all the
values that the institutions of public life sought to promote.
Doctoral Theses
Doctoral College
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