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dc.contributor.authorPaleit, Edwarden_GB
dc.date.accessioned2011-12-15T15:43:25Zen_GB
dc.date.accessioned2013-03-20T13:56:43Z
dc.date.issued2008-05-29en_GB
dc.description.abstractThis article examines responses to the Heroides by the Scottish neo-Latin poet Mark Alexander Boyd, composed whilst in ‘exile’ in France during the 1580s and early 1590s. Boyd’s engagements reflect the priorities of contemporary humanist interpretations of the Heroides , on the one hand positioning Ovid’s poems as models for elegant Latin verse composition, and on the other reading them as guides to female sexual (mis)conduct. Such an approach tended to reinforce Renaissance prejudices about sex and gender, as Boyd’s efforts amply reveal. Yet the exorbitance of female love elegy also permitted a limited critique of such norms, and this is demonstrated in Boyd’s second set of responses, the Heroides et Hymni (1592), which suggestively collocate his personal political difficulties with women’s sexual freedom.en_GB
dc.identifier.citationVol. 22, No. 3, pp. 351-367en_GB
dc.identifier.doi10.1111/j.1477-4658.2008.00510.xen_GB
dc.identifier.urihttp://hdl.handle.net/10036/3319en_GB
dc.publisherBlackwellen_GB
dc.subjectBoyd, Mark Alexander (1563–1601)en_GB
dc.subjectfreedomen_GB
dc.subjectHeroidesen_GB
dc.subjectlove elegyen_GB
dc.subjectneo-Latin poetryen_GB
dc.subjectreception of classical textsen_GB
dc.subjectRenaissance humanismen_GB
dc.subjectsexen_GB
dc.subjectwomenen_GB
dc.titleSexual and political liberty and neo-Latin poetics: the Heroides of Mark Alexander Boyden_GB
dc.typeArticleen_GB
dc.date.available2011-12-15T15:43:25Zen_GB
dc.date.available2013-03-20T13:56:43Z
dc.identifier.issn0269-1213en_GB
dc.descriptionThis is a post-print version. The definitive version is available at www.blackwell-synergy.comen_GB
dc.identifier.journalRenaissance Studiesen_GB


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