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dc.contributor.authorNoakes, Richarden_GB
dc.contributor.departmentUniversity of Exeter. At the time of publication, the author was at the University of Leedsen_GB
dc.date.accessioned2008-08-01T08:06:49Zen_GB
dc.date.accessioned2011-01-25T10:52:28Zen_GB
dc.date.accessioned2013-03-20T14:12:36Z
dc.date.issued1999-12en_GB
dc.description.abstractIn May 1862 Desmond G. Fitzgerald, the editor of the Electrician, lamented that "telegraphy has been until lately an art occult even to many of the votaries of electrical science. Submarine telegraphy, initiated by a bold and tentative process – the laying of the Dover cable in the year 1850 – opened out a vast field of opportunity both to merit and competency, and to unscrupulous determination. For the purposes of the latter, the field was to be kept close [sic], and science, which can alone be secured by merit, more or less ignored". To Fitzgerald, the ‘occult’ status of the telegraph looked set to continue, with recent reports of scientific counterfeits, unscrupulous electricians and financially motivated saboteurs involved in the telegraphic art. Nevertheless, Fitzgerald reassured his readers that the confidence of ‘those who act for the public’ had been restored by earnest electricians, whose ‘moral cause’ would ultimately be felt and who ‘may be safely trusted even in matters where there is an option between a private interest and a public benefit’. As a prominent crusader for the telegraph, Fitzgerald voiced the concerns of many electricians seeking public confidence and investment in their trade in the wake of the failed submarine telegraphs of the 1850s. The spread of proper knowledge about the telegraph would hinge on securing an adequate supply of backers and the construction of telegraphy as a truly moral cause – an art cleansed of fraudsters, ignoramuses and dogmatists.en_GB
dc.description.sponsorshipBritish Academyen_GB
dc.identifier.citation32(4), pp.421-459en_GB
dc.identifier.doi10.1017/S0007087499003763en_GB
dc.identifier.urihttp://hdl.handle.net/10036/33792en_GB
dc.language.isoenen_GB
dc.publisherCambridge University Pressen_GB
dc.relation.urlhttp://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=1089&fulltextType=RA&fileId=S0007087499003763en_GB
dc.subjecttelegraphyen_GB
dc.subjectspiritualismen_GB
dc.subject19th centuryen_GB
dc.subjectBritainen_GB
dc.subjectengineeringen_GB
dc.subjectelectricityen_GB
dc.subjectVarley, Cromwell Fleetwooden_GB
dc.subjectVictorianen_GB
dc.subjecttelecommunicationsen_GB
dc.titleTelegraphy is an occult art: Cromwell Fleetwood Varley and the diffusion of electricity to the other worlden_GB
dc.typeArticleen_GB
dc.date.available2008-08-01T08:06:49Zen_GB
dc.date.available2011-01-25T10:52:28Zen_GB
dc.date.available2013-03-20T14:12:36Z
dc.identifier.issn0007-0874en_GB
dc.description© Cambridge University Press 1999. Paper condensed from chapters of the author's doctoral dissertation. Illustrations 1,2,4 & 5 reproduced by permission of the British Library © British Library Board. All Rights Reserved (4367.150000 DSC; 4367.215500 DSC; Hendon; Hendon). Illustration 3 reproduced by permission of the College of Psychic Studies. All quotes from archival sources reproduced with the permission of the rightsholders. References for the BT archives have been recatalogued: POST 81/45 is now TGA/1/10/1; POST 81/20 is now TGA/1/7/1; POST 81/41 is now TGE/1/13; POST 81/19 is now TGA/2/1; POST 81/27 is now TGE/1/11.en_GB
dc.identifier.eissn1474-001Xen_GB
dc.identifier.journalThe British Journal for the History of Scienceen_GB


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