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dc.contributor.authorLawson, Helene M.en_GB
dc.date.accessioned2012-11-13T12:20:57Zen_GB
dc.date.accessioned2013-03-20T17:12:20Z
dc.date.issued2009en_GB
dc.description.abstractThis article explores the motivations of adult amateur tap dancers to gain insight into how they construct their social reality, what is the significance of this activity to the dancers, and how does it relate to the dance “culture” more broadly. The research was done as a participant observer amongst a group of primarily middleaged women in six different locations over a period of five years. These amateur tap dancers are strongly motivated in spite of their minimal talent and the lack of support they might experience when compared to professional dancers. Their often-labored explanations, while unable to enunciate the essence of the sensation they experience, describe what they are doing as a group ritual of emotional renewal. By examining what is said and not said, I additionally uncover social constraints that shaped their explanations. Performance emerges as a game in which the amateur challenges the socially constructed norms of legitimacy in art culture. This “scary” feat of performing is worth the effort because of its innate thrill and the expectation of applause from an audience largely outside the group.en_GB
dc.identifier.citationVol.1, No. 2, pp.3-15en_GB
dc.identifier.urihttp://hdl.handle.net/10036/3934en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Exeteren_GB
dc.relation.urlhttp://musicandartsinaction.net/index.php/maia/indexen_GB
dc.titleWhy dance? The motivations of an unlikely group of dancersen_GB
dc.typeArticleen_GB
dc.date.available2012-11-13T12:20:57Zen_GB
dc.date.available2013-03-20T17:12:20Z
dc.identifier.issn1754-7105en_GB
dc.identifier.journalMusic and Arts in Actionen_GB


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