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dc.contributor.authorKearns, Jamesen_GB
dc.contributor.departmentUniversity of Exeteren_GB
dc.date.accessioned2008-11-13T13:32:06Zen_GB
dc.date.accessioned2011-01-25T10:13:14Zen_GB
dc.date.accessioned2013-03-20T13:58:54Z
dc.date.issued2007-01en_GB
dc.description.abstractWith the founding of the Second Republic following the Revolution of 1848, the Louvre was placed under new political and artistic management. Philippe-Auguste Jeanron, Director of National Museums, and Frédéric Villot, Curator of Paintings in the Louvre, reorganized the exhibition of its French and European painting collections. This article analyses the rationale behind this reorganization, the debates to which it gave rise, and its implications for French nineteenth-century museography, with particular reference to the commentaries of two of the most important art journalists of the period, Louis Clément de Ris and Théophile Gautier.en_GB
dc.identifier.citationVolume 102, Number 1, pp. 58-73en_GB
dc.identifier.urihttp://hdl.handle.net/10036/40880en_GB
dc.language.isoenen_GB
dc.publisherModern Humanities Research Associationen_GB
dc.relation.urlhttp://www.ingentaconnect.com/content/mhra/mlr/2007/00000102/00000001/art00005en_GB
dc.subjectSecond Republicen_GB
dc.subjectRevolution of 1848en_GB
dc.subjectLouvreen_GB
dc.subjectJeanron, Philippe-Augusteen_GB
dc.subjectVillot, Frédéricen_GB
dc.subjectFrench paintingen_GB
dc.subjectEuropean paintingen_GB
dc.subjectFrench nineteenth-century museographyen_GB
dc.subjectClément de Ris, Louisen_GB
dc.subjectGautier, Théophileen_GB
dc.titleFrom Store to Museum: The Reorganization of the Louvre's Painting Collections in 1848en_GB
dc.typeArticleen_GB
dc.date.available2008-11-13T13:32:06Zen_GB
dc.date.available2011-01-25T10:13:14Zen_GB
dc.date.available2013-03-20T13:58:54Z
dc.identifier.issn0026-7937en_GB
dc.identifier.journalThe Modern Language Reviewen_GB


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