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dc.contributor.authorKearns, Jamesen_GB
dc.contributor.departmentUniversity of Exeteren_GB
dc.date.accessioned2008-11-13T13:37:03Zen_GB
dc.date.accessioned2011-01-25T10:13:08Zen_GB
dc.date.accessioned2013-03-20T13:58:29Z
dc.date.issued2007-07en_GB
dc.description.abstractThe first exhibition of the Association des artistes peintres, sculpteurs, architectes et graveurs, held in the Bazar Bonne-Nouvelle in January-March 1846, is best known for Baudelaire's review `Le musée classique du Bazar Bonne-Nouvelle', published in Le Corsaire-Satan. This article examines the hitherto largely unexplored wider critical reception of the work of Jacques-Louis David on show at the exhibition, with particular reference to his representation of the death of Marat, painted in 1793. It argues that reaction to this work brought to the surface underlying tensions among both conservative supporters and reformist and republican opponents of the July Monarchy.en_GB
dc.identifier.citationVolume 102, Number 3, pp. 672-686en_GB
dc.identifier.urihttp://hdl.handle.net/10036/40893en_GB
dc.language.isoenen_GB
dc.publisherModern Humanities Research Associationen_GB
dc.relation.urlhttp://www.ingentaconnect.com/content/mhra/mlr/2007/00000102/00000003/art00004en_GB
dc.subjectBaudelaire, Charlesen_GB
dc.subjectDavid, Jacques-Louisen_GB
dc.subjectdeath of Maraten_GB
dc.subjectJuly Monarchyen_GB
dc.title'Niera-t-on le pouvoir des arts?' Revisiting Jacques-Louis David at the 1846 Exhibition in the Bazar Bonne-Nouvelleen_GB
dc.typeArticleen_GB
dc.date.available2008-11-13T13:37:03Zen_GB
dc.date.available2011-01-25T10:13:08Zen_GB
dc.date.available2013-03-20T13:58:29Z
dc.identifier.issn0026-7937en_GB
dc.identifier.journalThe Modern Language Reviewen_GB


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