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dc.contributor.authorZarrilli, Phillip B.en_GB
dc.date.accessioned2012-12-21T08:25:01Zen_GB
dc.date.accessioned2013-03-19T15:05:11Z
dc.date.issued2008-02en_GB
dc.description.abstractThis article provides an illustrated description and analysis of Speaking Stones - a collaborative performance commissioned by Theatre Asou of Graz, Austria, with UK playwright Kaite O'Reilly and director Phillip Zarrilli as a response to the increasingly xenophobic and reactionary realities of the politics of central Europe. The account interrogates the question, the dramaturgical possibilities, and the performative premise which guided the creation of Speaking Stones. Phillip Zarrilli is internationally known for training actors through Asian martial arts and yoga, and as a director. In 2008 he is directing the premiere of Kaite O'Reilly's The Almond and the Seahorse for Sherman-Cymru Theatre and the Korean premiere of Sarah Kane's 4:48 Psychosis. He is also Professor of Performance Practice at the University of Exeter.en_GB
dc.identifier.citationVol. 24, Issue 93, pp. 24 - 40en_GB
dc.identifier.doi10.1017/s0266464x08000031en_GB
dc.identifier.urihttp://hdl.handle.net/10036/4100en_GB
dc.language.isoENen_GB
dc.publisherCambridge University Pressen_GB
dc.subjecttheatreen_GB
dc.subjectperformanceen_GB
dc.subjectcentralen_GB
dc.subjectEuropeen_GB
dc.subjectdisplacementen_GB
dc.subjecttraumaen_GB
dc.titleEmbodying, imagining, and performing displacement and trauma in central Europe todayen_GB
dc.typeArticleen_GB
dc.date.available2012-12-21T08:25:01Zen_GB
dc.date.available2013-03-19T15:05:11Z
dc.contributor.editorTrussler, Sen_GB
dc.contributor.editorShevstova, Men_GB
dc.identifier.issn0266-464Xen_GB
exeter.place-of-publicationUKen_GB
dc.descriptionPublished version deposited following SHERPA/RoMEO guidelines. Copyright CUP. Definitive version available at: http://dx.doi.org/10.1017/S0266464X08000031en_GB
dc.identifier.journalNew Theatre Quarterlyen_GB


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