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dc.contributor.authorMilling, Janeen_GB
dc.date.accessioned2013-03-18T11:07:54Zen_GB
dc.date.accessioned2013-03-19T15:05:15Z
dc.date.issued2011-05en_GB
dc.identifier.citationVol. 52, Issue 1, pp. 59 - 82en_GB
dc.identifier.doi10.1017/S0040557411000068en_GB
dc.identifier.urihttp://hdl.handle.net/10036/4491en_GB
dc.publisherCambridge University Pressen_GB
dc.relation.urlhttp://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8267838en_GB
dc.title‘“For Without Vanity I’m Better Known”: Restoration Actors and Metatheatre on the London Stage.’en_GB
dc.typeArticleen_GB
dc.date.available2013-03-18T11:07:54Zen_GB
dc.date.available2013-03-19T15:05:15Z
dc.descriptionPublished version of article deposited in accordance with SHERPA Romeo guidelines. © Cambridge University Press, 2011.en_GB
dc.identifier.journalTheatre Surveyen_GB


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