dc.contributor.author | Milling, Jane | en_GB |
dc.date.accessioned | 2013-03-18T11:07:54Z | en_GB |
dc.date.accessioned | 2013-03-19T15:05:15Z | |
dc.date.issued | 2011-05 | en_GB |
dc.identifier.citation | Vol. 52, Issue 1, pp. 59 - 82 | en_GB |
dc.identifier.doi | 10.1017/S0040557411000068 | en_GB |
dc.identifier.uri | http://hdl.handle.net/10036/4491 | en_GB |
dc.publisher | Cambridge University Press | en_GB |
dc.relation.url | http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=8267838 | en_GB |
dc.title | ‘“For Without Vanity I’m Better Known”: Restoration Actors and Metatheatre on the London Stage.’ | en_GB |
dc.type | Article | en_GB |
dc.date.available | 2013-03-18T11:07:54Z | en_GB |
dc.date.available | 2013-03-19T15:05:15Z | |
dc.description | Published version of article deposited in accordance with SHERPA Romeo guidelines. © Cambridge University Press, 2011. | en_GB |
dc.identifier.journal | Theatre Survey | en_GB |