Bending gender and acting theory: Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing

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Bending gender and acting theory: Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing

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Title: Bending gender and acting theory: Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing
Author: Roesner, David
Citation: 26(2), 111-127
Publisher: Intellect
Journal: Studies in Theatre and Performance
Date Issued: 2006-08
URI: http://hdl.handle.net/10036/47298
DOI: 10.1386/stap.26.2.111/1
Links: http://0-ejournals.ebsco.com.lib.exeter.ac.uk/direct.asp?ArticleID=4900AF5A0DD62DB3873A
Abstract: In this article the author investigates Johann Wolfgang Goethe's and Jean Cocteau's strikingly interrelated essays on acts of female impersonation and the implications on theatre theory that both emphatically point out. In a second step the article seeks to explore how both articles translated into performances that resulted from the author's practice as research projects, which used the essays themselves as parts of the performance scripts. In particular the performances tried to respond to Goethe's and Cocteau's focus on the individual virtuoso travesty with a counter concept that employed the use of choir and a composition of theatrical means (text, music, images) to achieve a different kind of "self-conscious illusion" (Goethe) – a transparently fabricated play on illusion and disillusion, gender and androgyny, performance and research.
Type: Article
Description: Post-print version of article. © Intellect, 2006.
Keywords: Theatre theoryGender performanceFemale impersonationPractice as researchGoethe, Johann WolfgangCocteau, Jean
ISSN: 14682761


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