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dc.contributor.authorZarrilli, Phillip B.en_GB
dc.contributor.departmentUniversity of Exeter. At the time of publication the author was at the University of Wisconsin-Madison.en_GB
dc.date.accessioned2009-03-26T16:15:18Zen_GB
dc.date.accessioned2011-01-25T10:11:24Zen_GB
dc.date.accessioned2013-03-19T15:05:22Z
dc.date.issued1987en_GB
dc.identifier.citation4(2), 205-214en_GB
dc.identifier.urihttp://hdl.handle.net/10036/57413en_GB
dc.language.isoenen_GB
dc.publisherUniversity of Hawai'i Pressen_GB
dc.relation.urlhttp://www.jstor.org/stable/1124192en_GB
dc.subjectIndia - Traditional theatreen_GB
dc.subjectPerformer - Psychosomatic processen_GB
dc.subjectKathakalien_GB
dc.subjectKūttiyāttamen_GB
dc.title"Where the Hand [Is]..."en_GB
dc.typeArticleen_GB
dc.date.available2009-03-26T16:15:18Zen_GB
dc.date.available2011-01-25T10:11:24Zen_GB
dc.date.available2013-03-19T15:05:22Z
dc.identifier.issn07425457en_GB
dc.descriptionReproduced with permission of the publisher. © 1987 University of Hawai'i Press.en_GB
dc.identifier.journalAsian Theatre Journalen_GB


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