dc.contributor.author | Roesner, David | en_GB |
dc.date.accessioned | 2009-12-21T11:54:55Z | en_GB |
dc.date.accessioned | 2011-01-25T10:11:27Z | en_GB |
dc.date.accessioned | 2013-03-19T15:05:34Z | |
dc.date.issued | 1997-12 | en_GB |
dc.description.abstract | The dissertation (MfA equivalent) explores similarities and differences between the commedia dell'arte and the silent slapstick comedies of Charlie Chaplin and Buster Keaton. It addresses aspects of comedy, iconography, performance, improvisation and the commercial considerations and drivers behind both artforms. | en_GB |
dc.identifier.citation | Diplomarbeit an der Universität Hildesheim, Germany | en_GB |
dc.identifier.uri | http://hdl.handle.net/10036/88359 | en_GB |
dc.language.iso | de | en_GB |
dc.publisher | N/A | en_GB |
dc.relation.url | http://www.spa.ex.ac.uk/drama/staffsite/roesner/welcome.shtml | en_GB |
dc.subject | Commedia dell'arte | en_GB |
dc.subject | Slapstick Comedies | en_GB |
dc.subject | Comedy | en_GB |
dc.title.alternative | Eine Analyse der Elemente der Commedia dell'Arte in den Silent Slaptick Comedies | en_GB |
dc.title | Komik – Körper – Kunst – Kommerz | en_GB |
dc.type | Thesis or dissertation | en_GB |
dc.date.available | 2009-12-21T11:54:55Z | en_GB |
dc.date.available | 2011-01-25T10:11:27Z | en_GB |
dc.date.available | 2013-03-19T15:05:34Z | |