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dc.contributor.authorHanson, H
dc.date.accessioned2020-03-27T15:42:25Z
dc.date.issued2020-10-31
dc.identifier.citationVol. 61 (3), pp. 450–457en_GB
dc.identifier.doi10.1093/screen/hjaa043
dc.identifier.urihttp://hdl.handle.net/10871/120447
dc.language.isoenen_GB
dc.publisherJohn Logie Baird Centre/ Oxford University Press (OUP)en_GB
dc.rights.embargoreasonUnder embargo until 31 October 2022 in compliance with publisher policyen_GB
dc.rights© The Author(s) 2020. Published by Oxford University Press on behalf of Screen. All rights reserved This article is published and distributed under the terms of the Oxford University Press, Standard Journals Publication Model (https://academic.oup.com/journals/pages/open_access/funder_policies/chorus/standard_publication_model)en_GB
dc.title‘B’ for Blane and ‘B’ for budget: the productivity, and narrativity, of Warner Bros.’ Torchy Blane series (1937–1939)en_GB
dc.typeArticleen_GB
dc.date.available2020-03-27T15:42:25Z
dc.identifier.issn0036-9543
dc.descriptionThis is the author accepted manuscript. The final version is available from Oxford University Press via the DOI in this recorden_GB
dc.identifier.eissn1460-2474
dc.identifier.journalScreenen_GB
dc.rights.urihttp://www.rioxx.net/licenses/all-rights-reserveden_GB
dcterms.dateAccepted2020-03-26
rioxxterms.versionAMen_GB
rioxxterms.licenseref.startdate2020-03-26
rioxxterms.typeJournal Article/Reviewen_GB
refterms.dateFCD2020-03-27T15:28:21Z
refterms.versionFCDAM
refterms.dateFOA2022-10-31T00:00:00Z
refterms.panelDen_GB


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