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dc.contributor.authorGiannachi, G
dc.date.accessioned2020-06-19T11:14:45Z
dc.date.issued2019-03-26
dc.description.sponsorshipArts and Humanities Research Council (AHRC)en_GB
dc.description.sponsorshipEngineering and Physical Sciences Research Council (EPSRC)en_GB
dc.identifier.citationBridging the Gap - Theory and Practice in the Conservation of Contemporary Art, Annual MACCH Conference 2019, 24-27 March 2019, Maastricht, Netherlandsen_GB
dc.identifier.grantnumberAH/M004228/1en_GB
dc.identifier.grantnumberAH/S00663X/1en_GB
dc.identifier.grantnumberEP/G065802/1en_GB
dc.identifier.urihttp://hdl.handle.net/10871/121537
dc.language.isoenen_GB
dc.publisherMaastricht Centre for Arts and Culture, Conservation and Heritageen_GB
dc.relation.urlhttps://www.maastrichtuniversity.nl/events/annual-macch-conference-2019en_GB
dc.rights© 2019 Maastricht Centre for Arts and Culture, Conservation and Heritageen_GB
dc.titleDocumenting digital art: the role of the audienceen_GB
dc.typeConference paperen_GB
dc.date.available2020-06-19T11:14:45Z
dc.descriptionThis is the author accepted manuscript.en_GB
dc.rights.urihttp://www.rioxx.net/licenses/all-rights-reserveden_GB
exeter.funder::Arts and Humanities Research Council (AHRC)en_GB
rioxxterms.versionAMen_GB
rioxxterms.licenseref.startdate2019-03-26
rioxxterms.typeConference Paper/Proceeding/Abstracten_GB
refterms.dateFCD2020-06-19T10:25:30Z
refterms.versionFCDP
refterms.dateFOA2020-06-19T11:14:48Z
refterms.panelDen_GB


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