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dc.contributor.authorSpence, C
dc.date.accessioned2023-10-03T14:09:46Z
dc.date.issued2023-10-09
dc.date.updated2023-10-03T14:00:14Z
dc.description.abstractThe purpose of this research is to systematically analyse the ways in which ancient individuals conceived of the involvement of the restless dead and the divine in curse tablets. The scope of the research has been to include any curse tablet irrespective of language, date, or discovery location. As a result, examples are included from across the ancient Mediterranean and Northern Europe in Celtic, Coptic, Greek, Latin, and Punic, ranging in date from the end of the sixth century BCE through until the seventh century CE. Three different roles for the dead and the gods have been identified and this thesis is structured around these groups. The dead were conceived of as having three roles: as actively carrying out the curse, either physically or metaphysically; being used analogically, alongside ideas of sympathetic magic; and finally, as intermediaries and witnesses. The gods were predominantly conceived of as actively carrying out the curse and were therefore often turned to for various forms of help. They could also be appealed to as witnesses, and this introduces the idea of engagement with external powers through ritual action. When approaching reading and interpreting these inscriptions, the focus is always on the individual, with questions such as: Why have they chosen this form of engagement? Why have they interacted with the ritual in this way? How has their lived experience informed these decisions? Here the focus is on the people who created these curse tablets, as well as maintaining an awareness of each text’s individuality. Through this analysis what can at times appear to be an extremely formulaic body of evidence can be extremely illuminating for understanding conceptions of the dead and the divine in the ancient world.en_GB
dc.identifier.urihttp://hdl.handle.net/10871/134154
dc.publisherUniversity of Exeteren_GB
dc.rights.embargoreasonUnder embargo until 3/10/28. I require Charlotte Spence’s thesis to be embargoed for the initial maximum period of five years. It is vital for Charlotte to protect her intellectual property as she converts her work into a monograph. Charlotte’s work is in particular danger of being subject to plagiarism because she is ahead of the curve in a sub-field of vigorously burgeoning appeal. More particularly, one of her thesis’ most profound and valuable achievements and assets is the very hard-won collation of the data-sets upon which it stands. These could so easily be stripped out of the thesis without credit and reused scot-free. This data is not in itself copyrightable and Charlotte would not therefore be in a position to bring any action against a malign action of this sort.en_GB
dc.subjectcurse tabletsen_GB
dc.subjectancient historyen_GB
dc.subjectancient greeceen_GB
dc.subjectancient romeen_GB
dc.subjectroman empireen_GB
dc.subjectmagicen_GB
dc.subjectancient magicen_GB
dc.subjectancient religionen_GB
dc.subjectcursesen_GB
dc.titleConceptions of the Dead and the Divine in Curse Tabletsen_GB
dc.typeThesis or dissertationen_GB
dc.date.available2023-10-03T14:09:46Z
dc.contributor.advisorOgden, Daniel
dc.contributor.advisorNicholson, Emma
dc.contributor.advisorSalvo, Irene
dc.publisher.departmentClassics, Ancient History, Theology, and Religion
dc.rights.urihttp://www.rioxx.net/licenses/all-rights-reserveden_GB
dc.type.degreetitlePhD in Classics and Ancient History
dc.type.qualificationlevelDoctoral
dc.type.qualificationnameDoctoral Thesis
rioxxterms.versionNAen_GB
rioxxterms.licenseref.startdate2023-10-09
rioxxterms.typeThesisen_GB
refterms.dateFOA2023-10-03T14:09:47Z


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