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dc.contributor.authorBradwell, C
dc.date.accessioned2024-04-11T15:44:10Z
dc.date.issued2024-04-08
dc.date.updated2024-04-08T19:07:00Z
dc.description.abstractThis thesis examines how artists can facilitate spaces for people living in dementia care to enact and co-create community. My use of the term is inspired by the political philosophy of Robert Esposito, who critically examines community as both an obligatory gift binding beings together and exclusionary acts to preserve assumed purity of the body politic which render community void. My research follows the path of performance scholars who have come to consider art practices with people living with dementia as collaborative, a collective process co-producing social meaning, instead of attempting to transform the person. Participants are not a problem to be fixed but are considered active creators of meaning in the creative and relational process. Where many of these studies have focused on the direct practice of care, I am interested in how art practices might also break down the walls between the care home and the outside world. Inspired by dementia citizenship studies, ontological philosophy and performance theories, I propose a community framework for dementia care to consider the influence that people living with dementia, especially those in the later stages of the disease, can have on the social and communal worlds in which they co-exist. I take an ethnographic approach to research and analyse a series of arts programmes involving the participation of people living with dementia in care home settings, before and during the COVID-19 pandemic. Through a theorisation of micro moments of interactions between participants, artists and myself, I argue that a practice which is rooted in emplaced, embodied and aesthetic acts can help people living with and without dementia connect and make meaningful aesthetic contributions. I suggest that such connections have the potential to value people living in dementia care as people with atypical cognitive function who can be a strength to both their local communities and society as a whole.en_GB
dc.identifier.urihttp://hdl.handle.net/10871/135732
dc.language.isoenen_GB
dc.publisherUniversity of Exeteren_GB
dc.rights.embargoreasonThis thesis is embargoed until the 08/Oct/2025 as the author plans to publish their research as a book.en_GB
dc.subjectapplied dramaen_GB
dc.subjectattunementen_GB
dc.subjectcare homesen_GB
dc.subjectcommunityen_GB
dc.subjectcommunity artsen_GB
dc.subjectdementiaen_GB
dc.subjectkinaestheticen_GB
dc.subjectperforming artsen_GB
dc.subjectrelational citizenshipen_GB
dc.subjectsensory ethnographyen_GB
dc.titleEmbodied Encounters: Enacting Community in Dementia Care through Participatory Artsen_GB
dc.typeThesis or dissertationen_GB
dc.date.available2024-04-11T15:44:10Z
dc.contributor.advisorSchaefer, Kerrie
dc.contributor.advisorAmes, Margaret
dc.publisher.departmentDrama
dc.rights.urihttp://www.rioxx.net/licenses/all-rights-reserveden_GB
dc.type.degreetitlePhD in Drama
dc.type.qualificationlevelDoctoral
dc.type.qualificationnameDoctoral Thesis
rioxxterms.versionNAen_GB
rioxxterms.licenseref.startdate2024-04-08
rioxxterms.typeThesisen_GB


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