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dc.contributor.authorAebischer, P
dc.contributor.authorGray, K
dc.contributor.authorJacobson, K
dc.contributor.authorLindsay, M
dc.contributor.authorFuchs, B
dc.contributor.authorSharrah, R
dc.contributor.authorLiedke, HL
dc.contributor.authorKoch, R
dc.contributor.authorSalz, J
dc.contributor.authorHirotomo, K
dc.contributor.authorDemeyère, C
dc.contributor.authorHavet-Laurent, S
dc.contributor.authorAntoniazzi, L
dc.contributor.authorClark, B
dc.date.accessioned2024-06-24T09:09:43Z
dc.date.issued2024-03-26
dc.date.updated2024-06-18T09:43:41Z
dc.description.abstractThis report publishes the findings of the British Academy-funded Pandemic Preparedness: Lessons to Learn from Covid-19 across the G7 project. Between April 2023 - January 2024, a UK-led research team with Co-Investigators in the USA, Canada and Germany and Research Associates in France, Italy and Japan examined the lessons learned from the responses of the live performing arts sector and governments to COVID-19 in the G7 countries. We focused our attention on policy interventions by governments and funders alongside the individual responses by workers in the live performing arts as well as organisations and their audiences. We further considered the impact of the pandemic on digital modes of working and disseminating creative content; how the pandemic affected communities, places and how ‘cultural value’ is understood; and what the pandemic revealed about systems and structures in the sector. The aim was to support sector preparedness for future crises, whether caused by new pandemics, climate-related disasters, demographic changes, economic pressures or the impacts on the live performing arts of national and international politics. This full report consists of detailed literature reviews of how the pandemic affected the performing arts sector in the United Kingdom, the USA, Canada and Germany; it also contains shorter literature reviews which focus on France, Italy and Japan. This research underpins the policy recommendations which are published in separate reports.en_GB
dc.description.sponsorshipBritish Academyen_GB
dc.format.extent1-171
dc.identifier.urihttp://hdl.handle.net/10871/136396
dc.identifierORCID: 0000-0002-0549-2273 (Aebischer, Pascale)
dc.language.isoenen_GB
dc.publisherSocieties and Cultures Institute, University of Exeteren_GB
dc.relation.urlhttps://www.thebritishacademy.ac.uk/projects/pandemic-preparedness-in-the-live-performing-arts-lessons-to-learn-from-covid-19/en_GB
dc.rights© 2024 The author(s)en_GB
dc.subjectAdaptationen_GB
dc.subjectCanadaen_GB
dc.subjectCOVID-19en_GB
dc.subjectCreative Organisationsen_GB
dc.subjectCreative Systems and Structuresen_GB
dc.subjectCreative Workforcesen_GB
dc.subjectDigital performanceen_GB
dc.subjectFranceen_GB
dc.subjectGermanyen_GB
dc.subjectItalyen_GB
dc.subjectJapanen_GB
dc.subjectPandemic preparednessen_GB
dc.subjectPerforming Artsen_GB
dc.subjectPolicyen_GB
dc.subjectResilienceen_GB
dc.subjectUnited Kingdomen_GB
dc.subjectUnited States of Americaen_GB
dc.titlePandemic Preparedness in the Live Performing Arts: Lessons to Learn from COVID-19 in the G7 Countries: Project Reporten_GB
dc.typeReporten_GB
dc.date.available2024-06-24T09:09:43Z
dc.contributor.editorAebischer, PV
exeter.place-of-publicationExeter
dc.contributorAebischer, PV
dc.descriptionThis is the final versionen_GB
dc.rights.urihttp://www.rioxx.net/licenses/all-rights-reserveden_GB
dc.contributor.organisationBritish Academy
rioxxterms.versionVoRen_GB
rioxxterms.licenseref.startdate2024-03-26
rioxxterms.typeTechnical Reporten_GB
refterms.dateFCD2024-06-24T09:09:04Z
refterms.versionFCDVoR
refterms.dateFOA2024-06-24T09:10:21Z


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