dc.contributor.author | Giannachi, G | |
dc.date.accessioned | 2014-12-17T14:21:11Z | |
dc.date.issued | 2006-02 | |
dc.description.abstract | No abstract available. | en_GB |
dc.identifier.citation | Vol. 16, Issue 1, pp. 41 - 50 | en_GB |
dc.identifier.doi | 10.1080/10486800500450973 | |
dc.identifier.uri | http://hdl.handle.net/10871/16078 | |
dc.language.iso | en | en_GB |
dc.publisher | Routledge/Taylor & Francis | en_GB |
dc.subject | hacktivism | en_GB |
dc.subject | bioart | en_GB |
dc.subject | biopolitics | en_GB |
dc.title | Exposing globalisation: Biopolitics in the work of critical art ensemble | en_GB |
dc.type | Article | en_GB |
dc.date.available | 2014-12-17T14:21:11Z | |
dc.identifier.issn | 1048-6801 | |
dc.description | © 2006 Taylor & Francis. This is an Accepted Manuscript of an article published by Taylor & Francis in Contemporary Theatre Review in 2006, available online: http://wwww.tandfonline.com/10.1080/10486800500450973 | en_GB |
dc.identifier.eissn | 1477-2264 | |
dc.identifier.journal | Contemporary Theatre Review | en_GB |