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dc.contributor.authorGoldingay, Sarah
dc.contributor.authorMangan, M
dc.date.accessioned2015-11-18T10:56:41Z
dc.date.issued2012
dc.description.abstractAn introduction to the special edition of Studies in Theatre & Performance: 2012 Vol: 32:3, pp.247-250en_GB
dc.identifier.citation2012 ,Vol: 32:3, pp.247-250en_GB
dc.identifier.doi10.1386/stap.32.3.247_7
dc.identifier.urihttp://hdl.handle.net/10871/18694
dc.language.isoenen_GB
dc.publisherTaylor & Francis (Routledge)en_GB
dc.subjectHoward Barkeren_GB
dc.subjectPerformanceen_GB
dc.subjectPlethoraen_GB
dc.subjectBare Sufficiencyen_GB
dc.subjectAHRCen_GB
dc.subjectPainen_GB
dc.titleIntroduction: Special Edition of Studies in Theatre and Performance, 2012, 32(3)en_GB
dc.typeEditorialen_GB
dc.date.available2015-11-18T10:56:41Z
dc.contributor.editorGoldingay, S
dc.contributor.editorMangan, M
dc.identifier.issn1468-2761
dc.descriptionEditorial Commenten_GB
dc.descriptionThis is an accepted manuscript of an article published as: Sarah Goldingay & Mick Mangan (2012) Introduction, Studies in Theatre and Performance, 32:3, 247-250. Published online by Taylor and Francis on 3rd January 2014, available online via: http://wwww.tandfonline.com/10.1386/stap.32.3.247_7en_GB
dc.identifier.journalStudies in Theatre and Performanceen_GB


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