dc.contributor.author | Goldingay, Sarah | |
dc.contributor.author | Mangan, M | |
dc.date.accessioned | 2015-11-18T10:56:41Z | |
dc.date.issued | 2012-09-01 | |
dc.description.abstract | An introduction to the special edition of Studies in Theatre & Performance Volume 32 part 3 | en_GB |
dc.identifier.citation | Vol. 32 (3), pp.247-250 | en_GB |
dc.identifier.doi | 10.1386/stap.32.3.247_7 | |
dc.identifier.uri | http://hdl.handle.net/10871/18694 | |
dc.language.iso | en | en_GB |
dc.publisher | Routledge | en_GB |
dc.subject | Howard Barker | en_GB |
dc.subject | Performance | en_GB |
dc.subject | Plethora | en_GB |
dc.subject | Bare Sufficiency | en_GB |
dc.subject | AHRC | en_GB |
dc.subject | Pain | en_GB |
dc.title | Introduction: Special Edition of Studies in Theatre and Performance, 2012, 32(3) | en_GB |
dc.type | Article | en_GB |
dc.date.available | 2015-11-18T10:56:41Z | |
dc.contributor.editor | Goldingay, S | |
dc.contributor.editor | Mangan, M | |
dc.identifier.issn | 1468-2761 | |
dc.description | Editorial Comment | en_GB |
dc.description | This is an accepted manuscript of the article published as: Sarah Goldingay & Mick Mangan (2012) Introduction, Studies in Theatre and Performance, 32:3, 247-250. Published online by Taylor and Francis on 3rd January 2014, available online via: https://doi.org/10.1386/stap.32.3.247_7 | en_GB |
dc.identifier.journal | Studies in Theatre and Performance | en_GB |
refterms.dateFOA | 2023-06-07T18:01:01Z | |