dc.contributor.author | Florencio, Joao | |
dc.date.accessioned | 2015-11-30T10:36:49Z | |
dc.date.issued | 2015-11-01 | |
dc.identifier.citation | pp. 178 - 191 | en_GB |
dc.identifier.uri | http://hdl.handle.net/10871/18825 | |
dc.language.iso | en | en_GB |
dc.publisher | Palgrave Macmillan | en_GB |
dc.relation.url | http://www.palgrave.com/page/detail/queer-dramaturgies-alyson-campbell/?isb=9781137411839 | en_GB |
dc.rights.embargoreason | Publisher Policy | en_GB |
dc.title | Evoking the strange within: performativity, metaphor, and translocal knowledge in Derek Jarman's Blue | en_GB |
dc.type | Book chapter | en_GB |
dc.contributor.editor | Campbell, A | |
dc.contributor.editor | Farrier, S | |
dc.identifier.isbn | 9781137411839 | |
dc.relation.isPartOf | Queer Dramaturgies: International Perspectives on Where Performance Leads Queer | |
exeter.place-of-publication | Basingstoke and New York | |
dc.description | This is the author's version of a chapter published in: Allyson Campbell and Stephen Farrier, Queer Dramaturgies: International Perspectives on Where Performance Leads Queer (Basingstoke and New York: Palgrave Macmillan, 2015), pp. 178-191. Reproduced with permission of Palgrave Macmillan. This extract is taken from the author’s original manuscript and has not been edited. The definitive, published, version of record is available here:
http://www.palgrave.com/page/detail/queer-dramaturgies-alyson-campbell/?isb=9781137411839. | en_GB |
refterms.dateFOA | 2018-11-01T00:00:00Z | |