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dc.contributor.authorFlorencio, Joao
dc.date.accessioned2015-11-30T10:36:49Z
dc.date.issued2015-11-01
dc.identifier.citationpp. 178 - 191en_GB
dc.identifier.urihttp://hdl.handle.net/10871/18825
dc.language.isoenen_GB
dc.publisherPalgrave Macmillanen_GB
dc.relation.urlhttp://www.palgrave.com/page/detail/queer-dramaturgies-alyson-campbell/?isb=9781137411839en_GB
dc.rights.embargoreasonPublisher Policyen_GB
dc.titleEvoking the strange within: performativity, metaphor, and translocal knowledge in Derek Jarman's Blueen_GB
dc.typeBook chapteren_GB
dc.contributor.editorCampbell, A
dc.contributor.editorFarrier, S
dc.identifier.isbn9781137411839
dc.relation.isPartOfQueer Dramaturgies: International Perspectives on Where Performance Leads Queer
exeter.place-of-publicationBasingstoke and New York
dc.descriptionThis is the author's version of a chapter published in: Allyson Campbell and Stephen Farrier, Queer Dramaturgies: International Perspectives on Where Performance Leads Queer (Basingstoke and New York: Palgrave Macmillan, 2015), pp. 178-191. Reproduced with permission of Palgrave Macmillan. This extract is taken from the author’s original manuscript and has not been edited. The definitive, published, version of record is available here: http://www.palgrave.com/page/detail/queer-dramaturgies-alyson-campbell/?isb=9781137411839.en_GB
refterms.dateFOA2018-11-01T00:00:00Z


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