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dc.contributor.authorMaguire, Muireann
dc.date.accessioned2016-01-13T15:13:51Z
dc.date.issued2014-12-01
dc.description.abstract"The mystery of the appearance of a new being, a great mystery and an inexplicable one", as Shatov describes the birth of his wife's son, is one of the great unanswered questions in Dostoevsky's Demons. A baby boy is born to free-spirited former governess Maria Shatova just hours before her husband is killed by a secret clique of would-be revolutionaries. Shatov's murder and Kirillov's suicide precipitate the new mother's fatal illness and, consequently, the infant's death within three days of entering the world. Legally Shatov's son, biologically Stavrogin's, this nameless baby represents one of several apparently unfinished subplots within Demons. Why produce a child with such complicated origins, only to kill him off? Why transform a universal symbol of hope into banal tragedy? My paper examines the metonymy between the child's brief life and the novel's theme of abortive radicalism, both of which are linked by the figure of the nihilist midwife, Arina Prokhorovna Virginskaia.en_GB
dc.identifier.citationdoi:10.3828/mlo.v0i1.39en_GB
dc.identifier.doi10.3828/mlo.v0i1.39
dc.identifier.urihttp://hdl.handle.net/10871/19232
dc.language.isoenen_GB
dc.publisherLiverpool University Pressen_GB
dc.relation.urlhttp://mloa.cch.kcl.ac.uk/index.php/mlo/article/view/39en_GB
dc.subjectmidwifeen_GB
dc.subjectchildbirthen_GB
dc.subjectDostoevskyen_GB
dc.titleDostoevsky and the politics of parturitionen_GB
dc.typeArticleen_GB
dc.date.available2016-01-13T15:13:51Z
dc.identifier.issn1234-4321
dc.descriptionOpen access journal article available via http://dx.doi.org/10.3828/mlo.v0i1.39en_GB
dc.identifier.eissn2052-5397
dc.identifier.journalModern Languages Openen_GB


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