dc.contributor.author | Beswick, K | |
dc.date.accessioned | 2016-02-11T16:55:35Z | |
dc.date.issued | 2016-06-30 | |
dc.description.abstract | Ten in Bed was a project led by participatory arts organisation Phakama, in partnership with Queen Mary University of London. Over an eight-week period we ran a series of intermedial arts workshops and staged a performance with under-5s and their families at a community centre in Bethnal Green, London. We attempted to enhance creative and communication skills, which are a key feature of critical literacy. In this article, I use Lars Elleström’s ‘modalities’ to parse the project’s material, perceptual and social aspects and to consider the ways in which the intermedial process operated affectively to develop critical literacy skills. | en_GB |
dc.identifier.citation | Vol. 21, Iss. 3, 2016 | |
dc.identifier.doi | 10.1080/13569783.2016.1189822 | |
dc.identifier.uri | http://hdl.handle.net/10871/19743 | |
dc.language.iso | en | en_GB |
dc.publisher | Taylor & Francis (Routledge) | en_GB |
dc.relation.url | http://www.tandfonline.com/doi/full/10.1080/13569783.2016.1189822 | |
dc.rights.embargoreason | Publisher's policy. | en_GB |
dc.title | 'Ten in a Bed': Literacy, Intermediality and the Potentials of Low-Tech | en_GB |
dc.type | Article | en_GB |
dc.identifier.issn | 1470-112X | |
dc.identifier.eissn | 1470-112X | |
dc.identifier.journal | Research in Drama Education: The Journal of Applied Theatre and Performance | en_GB |