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dc.contributor.authorBeswick, K
dc.date.accessioned2016-02-11T16:55:35Z
dc.date.issued2016-06-30
dc.description.abstractTen in Bed was a project led by participatory arts organisation Phakama, in partnership with Queen Mary University of London. Over an eight-week period we ran a series of intermedial arts workshops and staged a performance with under-5s and their families at a community centre in Bethnal Green, London. We attempted to enhance creative and communication skills, which are a key feature of critical literacy. In this article, I use Lars Elleström’s ‘modalities’ to parse the project’s material, perceptual and social aspects and to consider the ways in which the intermedial process operated affectively to develop critical literacy skills.en_GB
dc.identifier.citationVol. 21, Iss. 3, 2016
dc.identifier.doi10.1080/13569783.2016.1189822
dc.identifier.urihttp://hdl.handle.net/10871/19743
dc.language.isoenen_GB
dc.publisherTaylor & Francis (Routledge)en_GB
dc.relation.urlhttp://www.tandfonline.com/doi/full/10.1080/13569783.2016.1189822
dc.rights.embargoreasonPublisher's policy.en_GB
dc.title'Ten in a Bed': Literacy, Intermediality and the Potentials of Low-Techen_GB
dc.typeArticleen_GB
dc.identifier.issn1470-112X
dc.identifier.eissn1470-112X
dc.identifier.journalResearch in Drama Education: The Journal of Applied Theatre and Performanceen_GB


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