Recomposing Genet: Analysing the Musicality of playing 'the maids'
| dc.contributor.author | Curtin, A | |
| dc.date.accessioned | 2017-02-21T13:37:54Z | |
| dc.date.issued | 2017-07-18 | |
| dc.identifier.citation | Vol. 27 (2), pp. 177-194 | en_GB |
| dc.identifier.doi | 10.1080/10486801.2017.1298097 | |
| dc.identifier.uri | http://hdl.handle.net/10871/25988 | |
| dc.language.iso | en | en_GB |
| dc.publisher | Taylor & Francis (Routledge) | en_GB |
| dc.rights.embargoreason | Publisher policy | en_GB |
| dc.rights | © 2017 Informa UK Limited, trading as Taylor & Francis Group | |
| dc.title | Recomposing Genet: Analysing the Musicality of playing 'the maids' | en_GB |
| dc.type | Article | en_GB |
| dc.identifier.issn | 1048-6801 | |
| dc.identifier.eissn | 1477-2264 | |
| dc.identifier.journal | Contemporary Theatre Review | en_GB |