dc.contributor.author | Thomaidis, K | |
dc.date.accessioned | 2017-03-10T09:55:19Z | |
dc.date.issued | 2017-12-12 | |
dc.identifier.citation | In: Performing Interdisciplinarity - Working Across Disciplinary Boundaries Through an Active Aesthetic. Edited by Experience Bryon | en_GB |
dc.identifier.uri | http://hdl.handle.net/10871/26426 | |
dc.language.iso | en | en_GB |
dc.publisher | Routledge | en_GB |
dc.rights.embargoreason | Under embargo until 12 June 2019 in compliance with publisher policy | en_GB |
dc.subject | voice | en_GB |
dc.subject | forensics | en_GB |
dc.subject | performance studies | en_GB |
dc.subject | voice studies | en_GB |
dc.subject | speaker identification | en_GB |
dc.subject | earwitness | en_GB |
dc.subject | listening | en_GB |
dc.subject | David Greig | en_GB |
dc.title | Voice: Forensics & Performance | en_GB |
dc.type | Book chapter | en_GB |
dc.contributor.editor | Bryon, E | en_GB |
dc.identifier.isbn | 9781315558639 | |
dc.relation.isPartOf | Performing Interdisciplinarity: Working Across Disciplines Through an Active Aesthetic | en_GB |
exeter.place-of-publication | Abingdon, UK and New York, USA | en_GB |
dc.description | This is the author accepted manuscript. The final version is available from Routledge via the ISBN in this record | en_GB |