| dc.contributor.author | Pearce, M | |
| dc.date.accessioned | 2017-03-10T14:42:59Z | |
| dc.date.issued | 2016-08 | |
| dc.description.abstract | - | en_GB |
| dc.identifier.citation | In Jarrett-Macauley, D., (Eds) Shakespeare, Race and Performance. Routledge, London August, 2016, Chapter 5 | en_GB |
| dc.identifier.uri | http://hdl.handle.net/10871/26458 | |
| dc.language.iso | en | en_GB |
| dc.publisher | Routledge | en_GB |
| dc.relation.url | http://www.tandfebooks.com/doi/book/10.4324/9781315691213 | en_GB |
| dc.rights.embargoreason | Publisher's policy. | en_GB |
| dc.title | ‘Why then the world’s mine oyster / Which I with sword will open’. Africa, diaspora, Shakespeare: Cross-cultural encounters on the global stage | en_GB |
| dc.type | Book chapter | en_GB |
| dc.contributor.editor | Jarrett-Macauley, D | en_GB |
| dc.identifier.isbn | 9781138913813 | |
| dc.relation.isPartOf | The Diverse Bard: Race, Shakespeare and Contemporary Britain | en_GB |
| exeter.place-of-publication | London | en_GB |
| dc.description | This is the author accepted manuscript. The final version is available from Routledge via the link in this record. | en_GB |
