dc.contributor.author | Thomaidis, K | |
dc.date.accessioned | 2017-03-31T08:32:12Z | |
dc.date.issued | 2014 | |
dc.description.abstract | Wlodzimierz Staniewski, director of the Polish Centre for Theatre Practices Gardzienice, considers directing as a praxis pertaining to the field of musical composition. His pieces have been theorised as either “ethno-oratoria” or “village operas,” while the pedagogy developed by the group is a territory for the exploration of the tensions between the physical and the vocal. Building on my recent fieldwork with the company, this chapter problematizes the separation of vocality and choreographic/movement practices in performer training and uses Gardzienice’s example as a case study in physiovocality. Meanwhile, the core principles of Staniewski’s work, namely mutuality, musicality and chorality, are analyzed as points of departure from music theaters towards a theater of musicality. | en_GB |
dc.identifier.citation | In Symonds, D., & Taylor, M., Gestures of Music Theater: The Performtivity of Song and Dance, OUP, 2014. pp. 242 - 258 | en_GB |
dc.identifier.doi | http://dx.doi.org/10.1093/acprof:oso/9780199997152.003.0015 | |
dc.identifier.uri | http://hdl.handle.net/10871/26874 | |
dc.language.iso | en | en_GB |
dc.publisher | Oxford University Press | en_GB |
dc.subject | physiovocality | en_GB |
dc.subject | Gardzienice | en_GB |
dc.subject | voice training | en_GB |
dc.subject | Staniewski | en_GB |
dc.subject | Ancient Greek Music | en_GB |
dc.title | Singing From Stones: Physiovocality and Gardzienice's Theatre of Musicality | en_GB |
dc.type | Book chapter | en_GB |
dc.date.available | 2017-03-31T08:32:12Z | |
dc.identifier.isbn | 9780199997152 | |
dc.relation.isPartOf | Gestures of Music Theater: The Performativity of Song and Dance | en_GB |
exeter.place-of-publication | Oxford, UK | en_GB |
dc.description | This is the author accepted manuscript. The final version is available from OUP via the DOI in this record. | en_GB |