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dc.contributor.authorWilkinson, Lorna Christine Rose
dc.date.accessioned2017-08-02T08:53:33Z
dc.date.issued2017-02-27
dc.description.abstractThis thesis explores the figure of the trickster in the works of Elizabeth Bowen, Elizabeth Taylor, Iris Murdoch and Muriel Spark. By looking at these writers’ treatment of elusive, illusive and allusive characters, the thesis argues that they each incorporated what can be read as “trickster” figures in their fiction as a means of addressing anxieties about art, society and the self. The trickster is a character-type found in narratives from a multitude of cultures and eras, and is typically characterised by his subversive presence, his boundary-crossing and his role as a healer of predicament. While the trickster is often perceived as a universal phenomenon arising from a collective unconscious, this thesis instead focusses on writers’ intentional inclusion of trickster characters in literature as a way of thinking through specific problems. Bowen, it will be shown, interpolated tricksy characters drawn from myth and fairy-tale into her fiction in order to expose a perceived rift between art and academia; Taylor used the trickster to think about the construction of identity in post-war Britain; Murdoch took models from Shakespeare to create tricksters that helped her explore the ethics of writing fiction; and Spark’s tricksters allowed her to conceptualise truth and lies, and good and evil. Concentrating on four mid-century writers whose works have been seen to vary in genre and style, this thesis demonstrates that a trickster paradigm emerged in mid-twentieth-century British fiction – a period not previously associated with the trickster. Influenced by converging strands of trickery and allusion in art through the early decades of the twentieth century, notable mid-century British writers used outsider characters to probe social and artistic shifts in a landscape fractured by war and to reach for a sense of healing. By identifying such characters as trickster figures, this thesis sheds new light on patterns of subversion, healing and character in mid-century fiction. It explores the particular affinity the trickster had with women’s writing, and illustrates how the trickster was important to twentieth-century concerns surrounding metafiction and the role of the reader.en_GB
dc.identifier.urihttp://hdl.handle.net/10871/28760
dc.language.isoenen_GB
dc.publisherUniversity of Exeteren_GB
dc.rights.embargoreasonI intend to publish material from the thesis as articles within the next 18 months.en_GB
dc.rightsEmbargo 18 months. Following this period, individuals or organisations should not copy, remix, modify or redistribute the material in any medium or format without prior permission of the author. Whilst citations and short quotations are allowed, you must give appropriate credit and not do so in any way that suggests the author endorses you or your use. You may not use the material for commercial purposes.en_GB
dc.subjecttricksteren_GB
dc.subjectMuriel Sparken_GB
dc.subjectIris Murdochen_GB
dc.subjectElizabeth Bowenen_GB
dc.subjectElizabeth Tayloren_GB
dc.subjectmid-century literatureen_GB
dc.subjectwomen's writingen_GB
dc.subjectmetafictionen_GB
dc.subjectrealismen_GB
dc.subjectliterary influenceen_GB
dc.subjectallusionen_GB
dc.subjectfairy talesen_GB
dc.subjectfolk talesen_GB
dc.subjecttwentieth centuryen_GB
dc.title"A blur of potentialities": The Figure of the Trickster in the Works of Elizabeth Bowen, Elizabeth Taylor, Iris Murdoch and Muriel Sparken_GB
dc.typeThesis or dissertationen_GB
dc.contributor.advisorMartin, Kirsty
dc.contributor.advisorSchwyzer, Philip
dc.publisher.departmentEnglishen_GB
dc.type.degreetitlePhD in Englishen_GB
dc.type.qualificationlevelDoctoralen_GB
dc.type.qualificationnamePhDen_GB


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