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dc.contributor.authorBhatt, S
dc.date.accessioned2017-10-16T14:45:24Z
dc.date.issued2016
dc.description.abstractThis article is about the Budhan Theatre, located in Ahmedabad, Gujarat, India and known for using Street Theatre as a medium to bring about social change. Budhan’s street theatre is a new kind of theatre which brings individuals from the stigmatized community to the stage and aims to raise consciousness and demand social acceptance for them in the process. The article examines Budhan Theatre as a movement that brings about socio-political change in India and discusses its performances and their implications in light of performance studies. The discussion presented here is based on my observations, interviews with members of Budhan theatre, and print media coverage. I have been connected to Budhan theatre for the past five years through conducting this research, facilitating some of the children's workshops, talking to Chhara community members, and observing the group and their activities closely. The strategy of Budhan Theatre, which underlies each of its plays, is to highlight social problems by expressing people’s situations. The ideology and propaganda behind the performances are quite similar to those of other indigenous theatres in the world: to make the audience feel culpable about the plight of the oppressed by presenting their victimhood. The theatre company performs these plays throughout India and supports and fights for other denotified and nomadic tribes who are facing similar problems.en_GB
dc.identifier.citationVol. 5 (2), pp. 3-19en_GB
dc.identifier.urihttp://hdl.handle.net/10871/29861
dc.language.isoenen_GB
dc.publisherUniversity of Exeteren_GB
dc.relation.urlhttp://www.musicandartsinaction.net/index.php/maia/article/view/132en_GB
dc.subjectStreet theatreen_GB
dc.subjectBudhan Theatreen_GB
dc.subjectDNTs in Indiaen_GB
dc.title'Criminals' Performing for Change: Budhan Theatre´s fight against injustice and police atrocityen_GB
dc.typeArticleen_GB
dc.date.available2017-10-16T14:45:24Z
dc.descriptionThis is the final version of the article. Available from the publisher via the link in this record.en_GB
dc.identifier.journalMusic and Arts in Actionen_GB


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