dc.contributor.author | Hipkins, DE | |
dc.date.accessioned | 2018-02-22T09:29:50Z | |
dc.date.issued | 2017-12-15 | |
dc.identifier.citation | In: Women and the Public Sphere in Modern and Contemporary Italy: Essays for Sharon Wood, by Simona Storchi, Marina Spunta and Maria Morelli | en_GB |
dc.identifier.uri | http://hdl.handle.net/10871/31620 | |
dc.language.iso | en | en_GB |
dc.publisher | Troubador | en_GB |
dc.rights.embargoreason | Under temporary embargo pending publisher permission | en_GB |
dc.rights | © 2017 Troubador | en_GB |
dc.title | Surviving the ‘showgirl effect’?: Tween girls and performance in Le meraviglie/The Wonders (Alice Rohrwacher 2014) and Bellas mariposas (Salvatore Mereu 2012) | en_GB |
dc.type | Book chapter | en_GB |
dc.contributor.editor | Storchi, S | en_GB |
dc.contributor.editor | Spunta, M | en_GB |
dc.contributor.editor | Morelli, M | en_GB |
dc.identifier.isbn | 9781788038911 | |
dc.relation.isPartOf | Women and the Public Sphere in Modern and Contemporary Italy | en_GB |
exeter.place-of-publication | Hull | en_GB |
dc.description | This is the author accepted manuscript. The final version is available from Troubador via the ISBN in this record | en_GB |