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dc.contributor.authorFoley, A
dc.date.accessioned2018-03-02T10:38:27Z
dc.date.issued2016
dc.identifier.citationVol. 58 (3), pp. 459 - 481en_GB
dc.identifier.doi10.13110/criticism.58.3.0459
dc.identifier.urihttp://hdl.handle.net/10871/31775
dc.language.isoenen_GB
dc.publisherWayne State University Pressen_GB
dc.relation.urlhttp://hdl.handle.net/10871/32178
dc.rights© 2017 by Wayne State University Pressen_GB
dc.subjectDisastersen_GB
dc.subjectLiteratureen_GB
dc.subjectWorld literatureen_GB
dc.subjectLiterary historyen_GB
dc.subjectRiddlesen_GB
dc.subjectArchivesen_GB
dc.subjectliterary criticismen_GB
dc.subjectPublishing industryen_GB
dc.subjectNarrativesen_GB
dc.subjectBook publishingen_GB
dc.titleBy What Strange Channels: Nicholas Mosley's Literary Circuitsen_GB
dc.typeArticleen_GB
dc.date.available2018-03-02T10:38:27Z
dc.identifier.issn0011-1589
dc.descriptionThis is the final version of the article. Available from Wayne State University Press via the DOI in this record.en_GB
dc.descriptionThere is another ORE record for this publication: http://hdl.handle.net/10871/32178
dc.identifier.journalCriticismen_GB


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