| dc.contributor.author | Holdsworth, N | |
| dc.contributor.author | Milling, J | |
| dc.contributor.author | Nicholson, H | |
| dc.date.accessioned | 2018-03-13T15:12:34Z | |
| dc.date.issued | 2017-04-12 | |
| dc.identifier.citation | Vol. 27 (1), pp. 4 - 17 | en_GB |
| dc.identifier.doi | 10.1080/10486801.2017.1266229 | |
| dc.identifier.uri | http://hdl.handle.net/10871/32087 | |
| dc.language.iso | en | en_GB |
| dc.publisher | Taylor & Francis (Routledge) | en_GB |
| dc.rights.embargoreason | Under embargo until 12 October 2018 in compliance with publisher policy | en_GB |
| dc.rights | © 2017 Informa UK Limited, trading as Taylor & Francis Group | en_GB |
| dc.title | Theatre, Performance, and the Amateur Turn | en_GB |
| dc.type | Article | en_GB |
| dc.identifier.issn | 1048-6801 | |
| dc.description | This is the author accepted manuscript. The final version is available from Taylor & Francis via the DOI in this record | en_GB |
| dc.identifier.journal | Contemporary Theatre Review | en_GB |
